Since the mid-1990s, I have been making films about outsiders, misfits and everyday radicals, telling stories that occupy the intersection of intimate experience and public discourse. Several of these works are lyrical explorations of motherhood made with a hand-cranked 16mm film camera. These experimental shorts and looping projections mine the tension between the subjective, lived experience of women and mothers; our interior lives of fantasy and projection, and reality as refracted through our media-dense world.