1
300
3
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https://artistparentindex.com/files/original/9e1104e61d059a720769b7d52ca2beec.jpg
9e9bda35945a74a8607230e2d0ed11c4
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Artist Parent Index
Person
An individual.
Website
The Artist's website
<a href="http://laurenfrancesevans.com/">http://laurenfrancesevans.com/</a>
Medium
sculpture
collage
video
installation
Location
The location of the interview
Birmingham
Alabama
USA
Artist Statement
As an artist, I am intrigued by the materiality of the flesh and believe it to function as a microcosm that points to various aspects of the immaterial human experience. Years before ever becoming a parent, I was already fascinated by the spiritual and cosmic significance of the human belly button and its relationship to the creative act. As a child I pulled at mine, trying to flip it inside out. Years later, as a graduate student, I poured plaster into it regularly, making castings of its negative space. The belly button is the first mark that life leaves on the body; it is a scar that points to our origins.
Many creation myths describe our world as originating from a central point. The Greek term omphalos (navel) can refer to various symbolic centers that are believed to connect the earthly and divine. Just as the human belly button marks our connection to (and inevitable separation from) our mothers, these so-called navels of the world are often associated with myths of cosmic origin, functioning as physical markers of the very sites at which our earth was supposedly born into existence. This symbolism can be found across cultures and religions: ziggurats, temples, holy mountains, the tree of life, and more.
I’m excited and inspired by the navel, umbilical cord, and placenta as both site and symbol of the simultaneity that is embedded in the human experience. Questions of origin and existence are constantly shaping how I think about my creative work, and my belief is that the work of the artist, and perhaps especially the mother artist, is primarily ontological. Just as the human belly button marks both a connection to and a separation from our physical origins, the work that I make points to a similar simultaneity of opposites, referencing the body’s attraction and repulsion but also the immaterial void of human longing in us all.
Before becoming a mother, I thought of attachment and separation as psychologies experienced by the child. I didn’t realize until experiencing it firsthand that, not unlike the blood circulating through the placenta, these psychologies very much go both ways. I’ve been thinking a lot about this entanglement and have been working it out in a recent body of work. At times I imagine vividly that my daughter and I are still connected by this cord. It’s a tug of war. Often, I tug at the cord, longing for my independence from her, and more often than not, she tugs to bring me closer, unwilling to let me exist apart from her.
Topic
pregnancy
breastfeeding
let down reflex
placenta
umbilical cord
belly button
knots
faith
religion
christianity
attachment
extended breastfeeding
creative act
origins
symbolic centers
Virgin Mary
Christ
breastmilk
breast milk miscarriage
birth and death
birth
artist mother
artist parents
art
artist network
artist/mother
artist/parent/academic
bedsharing
cosleeping
body
bodies
boundaries
devine feminine
early motherhood
early parenthood
education
embodied motherhood
embroidery
family and career
female body
feminist
gestation
lactation
Madonna
maternal
materiality
milk
nursing
pieta
subjectivity
teaching
ritual
Exhibitions
Exhibitions in the Index that an artist has participated in. The two entries will be linked.
Wrapped Up, Tied Up, Tangled Up – solo – 2019 – Samford Art Gallery – Samford University – Birmingham, AL
ArtFields – 2019 - The ROB – Lake City, SC
Art|Mother – Unfinished Business Art Show – 2019 – Los Angeles, CA
Are We There Yet? – CIVA Juried Exhibition (forthcoming - June) – 2019 – Johnson Gallery– Bethel University – St. Paul, MN
Simultaneous Letdown – solo – 2019 (forthcoming - October) – Gatewood Gallery – University of North Carolina, at Greensboro – Greensboro, NC
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Lauren Frances Evans
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https://artistparentindex.com/files/original/6bb2e1291d6d97f55b95215dc55ca471.jpeg
e64733c4c2f74f7168d91059c7fc1266
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Artist Parent Index
Person
An individual.
Website
The Artist's website
<p class="p1"><a href="http://www.jessdobkin.com" target="_blank" rel="noopener">jessdobkin.com</a></p>
Medium
performance
social practice
Location
The location of the interview
Toronto
Canada
Artist Statement
<p class="p1">I’ve been a working artist, curator, community activist and teacher for more than 25 years, creating and producing intimate solo performances, large-scale public happenings, socially engaged interventions and performance art workshops and lectures. My practice extends across black boxes and white cubes, art fairs and subway stations, international festivals, and single bathroom stalls. I’ve operated an artist-run newsstand in a vacant subway station kiosk, a soup kitchen for artists, a breast milk tasting bar, and a performance festival hub for kids. I’m forever inspired by the rebel queers, renegade witches, and other dyke moms I run with, and bound to many brilliant artists, activists, spell-casters and healers. <span class="s1">For many years I made performances that drew from my own experiences of trauma and transformation, intimacy and motherhood. More recently, I’ve experienced a shift in my practice, where my attention has turned to wider theoretical questions about the nature of performance itself to </span>ask questions about when, where, how we perform - in theatres and galleries, on social media, and in our everyday lives.</p>
Topic
abjection
activism
adulthood
aging
archive
art
art and research
artist mother
art making
artist parent
artist/mother
artistic labor
artists with children
autobiography
binary tensions
bioethics
biology
birth
birth and death
birth trauma
bleeding
body
body exploration
body transformation
breast milk
breast pump
breastfeeding
breastmilk
care
censorship
childhood
creative practice
creative strategies
cultural reproducers
culture
curating
curation
curator
curatorial practice
documentation
domestic labor
domestic life
domestic space
domesticity
early motherhood
early parenthood
empathy
ethics
exhaustion
family
family accessible event
family portrait
feminism
feminist
feminist art
feminist art theory
gender
gender roles
gender stereotypes
human body
humor
identity
interdisciplinary
intimacy
invisible labor
lactation
love
materiality
maternal
maternal body
maternal bodies
maternal care
maternal desire
maternal experience
memory
menstruation
mess
milk
mother
mother artist identity
mother as artist
mother body
mother/artist identity
mother/child relationship
motherhood and political context
motherhood
motherhood and art
motherhood and art practice
motherhood and creative practice
motherhood and social context
motherhood and studio practice
motherhood as art practice
mothering
mothers
nursing
nursing mothers
objectification
parent
parent artists
parent/child relationship
parenthood
parenting
parents
patriarchy
performativity
personal experience
play
subjectivity
power
public breastfeeding
public space
pumping
queer
queer identity
queer parenting
representation
representations of motherhood
research and art
resistance
ritual
rituals
sexuality
single mothers
single mother
social justice
social practice
stories
storytelling
theory
time
transformation
trauma
vagina
visual culture
woman
women
women and gender studies
women artists
women representation
women's health
women's identity
Exhibitions
Exhibitions in the Index that an artist has participated in. The two entries will be linked.
The Lactation Station Breast Milk Bar 2006, 2012, 2016
Imagined Family Portraits 2007 - ongoing
Free Childcare Provided 2013
Fee for Service 2006
Being Green 2009
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Jess Dobkin
abjection
activism
adulthood
ageing
archive
art
art and research
art making
artist mother
artist parent
artist-parents
artist/mother
artistic labor
artists with children
autobiography
binary tensions
bioethics
biology
birth
birth and death
birth trauma
bleeding
body
body exploration
body transformation
breast milk
breast pump
breastfeeding
breastmilk
Care
censorship
childhood
creative practice
creative strategies
cultural reproducers
culture
curating
curation
curator
curatorial practice
documentation
domestic labor
domestic life
domestic space
domesticity
early motherhood
early parenthood
empathy
ethics
exhaustion
family
family accessible event
family portrait
feminism
feminist
feminist art
feminist art theory
gender
gender roles
gender stereotypes
human body
humor
identity
interdisciplinary
intimacy
invisible labor
lactation
love
materiality
maternal
maternal bodies
maternal body
maternal care
maternal desire
maternal experience
memory
menstruation
mess
milk
mother
mother artist
mother artist identity
mother artists
mother as artist
mother body
mother/artist identity
mother/child relationship
motherhood
motherhood and art
motherhood and art practice
motherhood and creative practice
motherhood and political context
motherhood and social context
motherhood and studio practice
motherhood as art practice
mothering
mothers
nursing
nursing mothers
objectification
parent
parent artists
parent/child relationship
parenthood
parenting
parents
patriarchy
performativity
personal experience
play
power
public breastfeeding
public space
pumping
queer
queer identity
queer parenting
representation
representations of motherhood
research and art
resistance
ritual
rituals
sexuality
single mother
single mothers
social justice
social practice
Stories
storytelling
subjectivity
theory
time
transformation
trauma
vagina
visual culture
woman
women
women and gender studies
women artists
women representation
women’s health
women’s identity
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https://artistparentindex.com/files/original/8ba88ed46c87957995fa09604abfec22.jpg
7402760a904187d3d3929a47bede05e6
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Artist Parent Index
Person
An individual.
Website
The Artist's website
<span><a class="in-cell-link" href="http://www.performanceart.ca/index.php?m=people_details&id=309" target="_blank" rel="noopener">http://www.performanceart.ca/index.php?m=people_details&id=309</a></span>
Medium
performance art
installation
Location
The location of the interview
Santiago
Chile
Artist Statement
<span>Alejandra Herrera is a visual artist and performer from Santiago (Chile), currently living in Los Angeles. She has been an active organizer, artist and teacher in the field of performance art for more than a decade and has exhibited her work extensively, both in her native Chile and internationally. She has produced and organized visual arts shows, such as the Annual Showcase of Students of the Arts Faculty of the University of Chile, exhibitions at the Museum of Contemporary Art of Santiago, "Av-ant Perfo", the first international performance art show in Valparaíso, and "Perfo Puerto", the First Latin American festival of performance art in Chile. Her recent performances question bodily sensuality and materiality, with particular emphasis on gendered power relations. She is mother to three daughters, four-year old twins Evelyn and Trinidad, and two-year old Diamanda.</span>
Topic
sensuality
materiality
gendered power relations
motherhood
maternity
domestic life
body exploration
Exhibitions
Exhibitions in the Index that an artist has participated in. The two entries will be linked.
New Maternalisms
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Alejandra Herrera Silva
body exploration
Chile
domestic life
installation
materiality
maternity
motherhood
Santiago
sensuality