1
300
21
-
https://artistparentindex.com/files/original/e4ac5b5b77db38dfb4be156d76954f06.jpg
81a6b43231dcf517ae837ab872995eb2
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Title
A name given to the resource
Artist Parent Index
Person
An individual.
Website
The Artist's website
<a href="https://cynthiaeisenberg.wixsite.com/misitio" target="_blank" rel="noopener">https://cynthiaeisenberg.wixsite.com/misitio</a>
Topic
family
inheritance
lineage
ancestors
motherhood
Medium
painting
Artist Statement
My children were young and for several years I didn't touch a paintbrush. There was no room for that. Rather than oil painting, you had to buy trainers. I was always a bit out of the circuit, out of the stereotype of the "artist". A bit of Argentina always sends you to the periphery. But being on the outside enriches you. The museum is wonderful as inspiration, but also the supermarket, the underground or your niece's quinceañera with all the drunken uncles. I had run out of images. I was suffering from a kind of amnesia. One day I got my hands on the black and white photos of my grandmother's house. Like a necklace of several generations of lustrous smiles strung together. There were so many stories I had heard that the photos refused to tell. Eva Perón and Ceferino. The Spanish Civil War. The long-distance marriages. The foetus in a jar. The whole secret and feminine universe hidden by the plastic smiles of the photos. This is how I returned to painting. In "Almas bellas" I set out to retrace my family history, putting together an album from old family photos re-signified. A selection of told and untold stories that come to light through painting.
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Cynthia Eisenberg
Title
A name given to the resource
Cynthia Eisenberg
-
https://artistparentindex.com/files/original/eae8e587e6b7de37e82431c9fc4cf7c5.JPG
e343ebf6255a9378cf8f76e0df81d558
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Title
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Artist Parent Index
Person
An individual.
Website
The Artist's website
<a href="http://www.jamiegdiamond.com" target="_blank" rel="noopener">www.jamiegdiamond.com</a>
Medium
photography
performance
Artist Statement
Jamie Diamond (b. 1983) is a performance artist, photographer and filmmaker living in Brooklyn, NY. Her work mostly focuses on the human figure, deconstructing images throughout an array of concepts such as motherhood, authenticity and memory. She uses personal narratives as a departure point to compose photographs that challenge the boundaries between reality and fiction.
365 Days: 1938/2017
In 2015, while visiting Berlin, I stumbled upon a discarded vernacular German family photo album. As I turned each page, I saw the life of a child unfold, 27 days old, 47 days old, 80 days old, ending at 365 days. I then looked at the date and it occurred to me that this was at the dawn of the Second World War. This body of work is a collaboration between me and my son and two strangers, a mother and a child and explores the interplay between shared global history and maternal identity. I have carefully re-enacted each picture with my son since his birth, set within the same time frame outlined in the album, from 27 days old to a year. My recreations are over-layed with the original source material from 1938, collapsing space, time and memory into one photograph. The pixels merge with the grain, in the way I merge with this stranger, our developmental milestones and fears become one. By collapsing the historical photograph with my staged re-enactment I create a new narrative in which our shared identity at a time of uncertainty become united.
Mother Love:
In this project I collaborated with an outsider art making community called the Reborners, a group of self-taught female artists who hand-make, collect and interact with hyper-realistic dolls. Working with the community allowed me to explore the grey area between reality and artifice where relationships are constructed with inanimate objects, between human and doll, artist and artwork, uncanny and real.
After spending a year investigating and recording their practice, I chose to become a Reborner to gain a better understanding of the community. Nine Months of Reborning documents my introduction to the community and the making of my first nine dolls, as well as the working nursery I established in my studio and on eBay, called the Bitten Apple Nursery. Before putting the finished dolls up for adoption on eBay, I took a portrait of each one. The final photograph is the remnant of this exchange. For the subsequent Amy Project, I invited celebrated Artists from the community to individually interpret and idealize the same doll. I then photograph each doll mimicking vernacular school portraits. Each of the dolls are unique to their maker’s hand, but share an uncanny similarity through their common origin. For the final act in the Reborn collaboration, I have identified and appropriated different canonical images of the Christ Child, and invited Reborn artists to create individual portrait babies. Depictions vary drastically from artist to artist, all ultimately presenting their personal, ideal representation of a singular figure. The photographs engage with the tradition of portraiture, evoking classical sculptural busts that are at once familiar and strange.
I Promise to Be a Good Mother:
In this series, I assume the role of subject and photographer and put on the mask of motherhood, dressing up in my mother’s clothes and interacting with Annabelle, a reborn doll. The project was inspired by and named after a diary I kept as a girl that documented the relationship with my own mother, written as a kind of rule sheet for later life. I started staging specific memories from my childhood, acting out recalled events and behaviors. Eventually the performance evolved into an exploration of the complexities surrounding the paradox of the mother/child relationship, investigating both its vernacular and art historical depictions, while mimicking and ignoring the traditional visual signifiers of motherhood. I’m interested in the fantasy of motherhood, the social structure of the relationship between mother and child, and the performance of inherited social and gender roles. Working in a variety of locations, both interiors and landscapes, I play out these scenarios with Annabelle for the camera, isolating specific idyllic and contradictory moments.
Location
The location of the interview
Brooklyn
New York
Topic
motherhood
family
photographic veracity
performance
family history
memory
identity
role play
reborn
doll
surrogate
pregnancy
fiction
album
archive
reenactment
Exhibitions
Exhibitions in the Index that an artist has participated in. The two entries will be linked.
Surrogate: A Love Ideal, Milan Osservatorio, Fondazione Prada, Italy
Curated by Melissa Harris, 2019
Nine Months of Reborning, Catherine Edelman Gallery, Chicago, IL, 2019
I Promise to be a Good Mother, AJL Art, Berlin, Germany, 2012
365 Days: 1938/2017, Kewenig, Berlin, Germany, 2021
A New Society, Canadian Centre for Architecture, Montreal, Canada
Family Affairs, Deichtorhallen, Hamburg, Germany, 2021
Walk in My Shoes, Mass MoCA, North Adams, MA, United States, 2015
Please Touch: Body Boundaries, Mana Contemporary, Jersey City, NJ, United States
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Contributor
An entity responsible for making contributions to the resource
Jamie Diamond
Title
A name given to the resource
Jamie Diamond
album
archive
doll
family
family history
fiction
identity
memory
motherhood
performance
photographic veracity
pregnancy
reborn
reenactment
role play
surrogate
-
https://artistparentindex.com/files/original/bcf1f45908dbe7dcba26919de9585154.JPG
4f618db48401b7fdf3fcdccf0a978ce5
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Title
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Artist Parent Index
Person
An individual.
Website
The Artist's website
<a href="https://www.casaundrabeard.com/" target="_blank" rel="noopener">casaundrabeard.com</a>
Medium
ironing board, iron
Location
The location of the interview
Rogersville
Missouri
Artist Statement
<p><span>My work represents my frustrations about domestic life, by communicating the raw, unfiltered side of how my anxiety and motherhood sometimes coincide. By addressing the harsh stigmas society has towards both anxiety and motherhood, I hope to normalize the reality rather than continue the cycle of these idealized notions of what motherhood is supposed to be. My work may appear selfish at times, but I think that is ok, and should become the societal norm. It is a part of the job description as a parent that your needs become second to your child’s, but your needs must not be forgotten. The work that I am creating allows me to release my frustrations about domestic life, and motherhood is a part of that. Recognizing my faults as a person, as a mother, and learning from them can only make me better at my job. I visually express the exhaustion I feel from the seemingly constant and endless amount of housework with <em>Good Moms Need Help II.</em> I used a domestic object, an ironing board, I then bent and twisted until it became useless. Useless in the sense of being an ironing board. It appears sad, tired, it is trying desperately to perform its duties but can’t. I should be able to discuss my feelings and frustrations without ridicule but that is not often the case. I am often met with, “you’ll miss these days,” resulting in my feelings being again disregarded, and as if I can feel nothing but happiness about motherhood or I am viewed as ungrateful. Will I miss this time in my children’s lives? Absolutely. Is it also valid that some days the housework and messes they create are exhausting and make me go crazy to the point I complain, absolutely.</span></p>
Exhibitions
Exhibitions in the Index that an artist has participated in. The two entries will be linked.
CARE, Virtual Art Exhibition by Dear Artists in collaboration with Artist/Mother Podcast
Socially Distanced, Brick City Gallery, Springfield, MO
Topic
motherhood
parenting
anxiety
anxiety attack
family
home
domestic
domesticity,
feminism
housework
overwhelmed
chores
stress
laundry
housework,
frustrations
childcare
care giver
homemaker
working mom
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Title
A name given to the resource
Casaundra Beard
-
https://artistparentindex.com/files/original/ffadc3d087fda515aa4509f82af99282.jpg
57bf795217eb69828c70d5196ac4a787
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Title
A name given to the resource
Resource Library
Book
A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text.
Editor
Alexis Pauline Gumbs
China Martens
Mai’a Williams
Contributor
The author of an article within an anthology
Loretta J. Ross (preface)
Publisher
PM Press
Date of Publication
March 2016
ISBN 13
9781629631103
Topic
Women's Studies
family
parenting
About
<span>Inspired by the legacy of radical and queer black feminists of the 1970s and ’80s, </span><em>Revolutionary Mothering</em><span> places marginalized mothers of color at the center of a world of necessary transformation. The challenges we face as movements working for racial, economic, reproductive, gender, and food justice, as well as anti-violence, anti-imperialist, and queer liberation are the same challenges that many mothers face every day. Oppressed mothers create a generous space for life in the face of life-threatening limits, activate a powerful vision of the future while navigating tangible concerns in the present, move beyond individual narratives of choice toward collective solutions, live for more than ourselves, and remain accountable to a future that we cannot always see. </span><em>Revolutionary Mothering</em><span> is a movement-shifting anthology committed to birthing new worlds, full of faith and hope for what we can raise up together.</span><br /><br /><span>Contributors include June Jordan, Malkia A. Cyril, Esteli Juarez, Cynthia Dewi Oka, Fabiola Sandoval, Sumayyah Talibah, Victoria Law, Tara Villalba, Lola Mondragón, Christy NaMee Eriksen, Norma Angelica Marrun, Vivian Chin, Rachel Broadwater, Autumn Brown, Layne Russell, Noemi Martinez, Katie Kaput, alba onofrio, Gabriela Sandoval, Cheryl Boyce Taylor, Ariel Gore, Claire Barrera, Lisa Factora-Borchers, Fabielle Georges, H. Bindy K. Kang, Terri Nilliasca, Irene Lara, Panquetzani, Mamas of Color Rising, tk karakashian tunchez, Arielle Julia Brown, Lindsey Campbell, Micaela Cadena, and Karen Su</span>
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Title
A name given to the resource
Revolutionary Mothering: Love on the Front Lines
book
family
parenting
Women's Studies
-
https://artistparentindex.com/files/original/1846fc2775deb2d6c455e42e13068011.jpg
3f770a33b40414fe2e92162a1a112ad5
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Title
A name given to the resource
Artist Parent Index
Person
An individual.
Website
The Artist's website
<a href="http://www.jenniferlugris.com" target="_blank" rel="noopener">www.jenniferlugris.com</a>
Topic
motherhood
family
marriage
child
breastfeeding
identity
BIPOC
immigration
multiculturalism
biracial
family history
ancestors
California
Uruguay
South Korea
North Korea
Medium
painting
Artist Statement
I grew up in a house where asado was eaten with kimchi and where dinner conversations seamlessly shifted from English to Spanish to Korean and sometimes even Galego. My Korean, Uruguayan, Spanish, and Portuguese backgrounds lead to multi-cultural, idiosyncratic, ill-fitting puzzle pieces that make up who I am. Likewise, my multi-panel paintings are intensely fractured, creating conflict upon close inspection of the juxtaposed illusionistic and abstracted, flattened and textured forms. I disrupt the continuity from one piece to the next, as well as, push and pull on figure and ground to play with how front-to-back are perceived. Growing up, I received many quizzical looks as individuals attempted to understand and piece together my varied, ethnic background. I wish to recreate that same experience in my paintings by provoking the audience to question and work to find connections that pull the piece together. Comparable to the oddly placed blocks in the paintings, which are linked through composition and color palette, I too, am linked by a unified body made up of mixed traditions and ancestries.
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Contributor
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Jennifer Lugris
Title
A name given to the resource
Jennifer Lugris
ancestors
BIPOC
biracial
breastfeeding
California
child
family
family history
identity
immigration
marriage
motherhood
multiculturalism
North Korea
South Korea
Uruguay
-
https://artistparentindex.com/files/original/9447e550228e9ce4e8fd5d3248dbd35c.jpeg
386df724b78bc964fe6e34b0887c557c
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Title
A name given to the resource
Artist Parent Index
Person
An individual.
Website
The Artist's website
<a href="http://www.mequittaahuja.com" target="_blank" rel="noopener"><b>http://www.mequittaahuja.com</b></a>
Medium
painting
drawing
Location
The location of the interview
Weston
Connecticut
Topic
pregnancy
IVF
miscarriage
sleep
death/birth
grandmother
maternal lineage
love
fertility
family
the body
mother and child
self-portraiture
home
domesticity
grief
sonograms
art history
Exhibitions
Exhibitions in the Index that an artist has participated in. The two entries will be linked.
Riffs and Relations: African American Artists and the European Modernist Tradition, Curated by Adrienne L. Childs
The Phillips Collection, Washington DC
February 29 - May, 24, 2020
Community
Flint Institute of Art, Flint, MI
January 26 - April 19, 2020
Intricatcies: Fragment and Meaning
August 8 - September 14, 2019
Aicon Gallery
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Title
A name given to the resource
Mequitta Ahuja
art history.
death/birth
domesticity
drawing
family
fertility
grandmother
grief
home
IVF
love
maternal lineage
miscarriage
mother and child
painting
pregnancy
self-portraiture
sleep
sonograms
the body
-
https://artistparentindex.com/files/original/2c3d2d1dde9ac69de3931bfd87f28f56.jpeg
0adc3fc5bc12c235431dd0ab92ca4a24
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Title
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Artist Parent Index
Person
An individual.
Website
The Artist's website
<a href="http://www.alicestonecollins.com" target="_blank" rel="noopener">www.alicestonecollins.com</a>
Topic
caregiver
mother
suburban
mundane
family
home
stasis
comfort
Medium
gouache
paper
collage
Artist Statement
I am interested in the everyday. The mundane. And I look for beauty in these moments. Part of this is my experience with having kids. The repetition. The routine. The thousands of lunches packed and faces wiped. There is a common thread that all mothers have in these experiences, but also a true unique quality to these spaces in our lives. In my current pieces I'm exploring how we navigate the restraints often felt while in the trenches of motherhood and the contrasting energies of stasis and and comfort these borders bring. How does this impact the way we engage with our environment and each other?
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Contributor
An entity responsible for making contributions to the resource
Alice Stone-Collins
Title
A name given to the resource
Alice Stone-Collins
caregiver
collage
comfort
family
gouache
home
paper
stasis
suburban
-
https://artistparentindex.com/files/original/71f0dfd825f87974c1e21db2782e3b75.jpg
5529d18e1916434fe5b81e92aedc38bc
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Title
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Artist Parent Index
Person
An individual.
Website
The Artist's website
<a href="http://www.crystalannbrown.com" target="_blank" rel="noopener">crystalannbrown.com</a>
Medium
multidisciplinary
interdisciplinary
Location
The location of the interview
Buckhannon
West Virginia
USA
Artist Statement
Crystal Ann Brown is an interdisciplinary artist/mother/academic currently working in
Buckhannon, West Virginia. For the past 9 years, her work has focused on holistically
blending art and life. This blending of her studio practice with her daily life also touches on
its inherent challenges. In her words, “my love/hate relationship with my kitchen might
manifest in my drawings and paintings that celebrate work and the labor of love with a hint
of fury and frustration shown in the economy of line found in blind contour drawings.” Her
practice strives to reveal the underappreciated aspects of mothering and everyday life
through the use of textiles, sculpture, time-based media, social practice and drawing.
Topic
labor
caretaking
mothering
play
domestic labor
naptime
cooking
cleaning chores
laundry
postpartum body
house
home
nursing
breast milk
family
Exhibitions
Exhibitions in the Index that an artist has participated in. The two entries will be linked.
2019 Why Mom, Commonweath Galley, Madison, WI
2019 Re : Birth, Edinburgh Palette, St. Margaret’s House, Edinburgh, Scotland
2018 Home Makers, Romano Gallery, Charleston, WV
2015 Interior Spaces (solo exhibition) Sleeth Gallery, Buckhannon, WV
2013 Shared Space (solo exhibition), The Hown’s Den, Kansas City, KS
2012 The Sea: Between Speech and Language (solo exhibition), Siegfried Gallery, Athens, OH
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Title
A name given to the resource
Crystal Ann Brown
breast milk
Buckhannon
caretaking
chores
cleaning
cooking
domestic labor
family
home
house
interdisciplinary
labor
laundry
mothering
multidisciplinary
naptime
nursing
play
postpartum body
WV
-
https://artistparentindex.com/files/original/86189bae00843446fd77049978457161.jpg
cad767d50e8ba8a73498a24ebfef29cd
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Title
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Artist Parent Index
Person
An individual.
Website
The Artist's website
<a href="http://jengeorgescu.com/portfolio-item/mother-series/" target="_blank" rel="noopener">http://jengeorgescu.com/portfolio-item/mother-series/</a>
Topic
Ongoing conceptual series relating to my experience of Motherhood.
motherhood
artist parent
artists with children
conceptual art
contemporary art practice
displacement
family life
family
domestic life
family heritage
feminist art
loss of identity
loss of self
Madonna
Maternal Theory
Medium
photography
Artist Statement
In 2015, I became a mother. I was prepared for the grueling labor, and sleepless nights, but the loss of my sense of self can as a surprise. I had no time to think and I began to feel like a shell of a person. My early days of motherhood were alienating and awful as well as sentimental and dear. I began to see myself as defined only by a relationship. I felt that my son was an appendage of myself; the embodiment of self and other. It was hard to accept that he was a growing, changing person while I was to remain forever split. When he is near my thoughts are entangled around him and when I am away I cannot seem to be the person I was before.<br /><br />A child is how we remain on Earth; they are our legacies. As I see my son grow I feel my time begin to speed up; I feel my decay. When we think about birth we must realize our death. Motherhood is precious and raw; wonderful and dark.
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Contributor
An entity responsible for making contributions to the resource
Jennifer Georgescu
Title
A name given to the resource
Jennifer Georgescu
artist parent
artists with children
conceptual art
contemporary art practice
displacement
domestic life
family
family heritage
family life
feminist art
loss of identity
loss of self
Madonna
maternal theory.
motherhood
photography
-
https://artistparentindex.com/files/original/3bb4e94f4317c366cc5081cb64e444c0.jpg
57737511e35c98aaf827e3e76fc70586
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Title
A name given to the resource
Artist Parent Organization Database
Service
An organization supporting artist parents.
Location
The location of the interview
Salem, Oregon
Grand Rapids, Michigan
Topic
reproduction
family
sex
gender
inclusive
zines
crowdsourcing
advocacy
paid family leave
care
caregiving
community
pregnancy
abortion
miscarriage
fetal loss
infertility
birth
gestation
identity
fashion
non-binary
LGBTQIA+
activism
performative action
library
collaboration
equity
policy
education
art
feminism
motherhood
fatherhood
parenthood
workshop
consent
About
<p><span style="font-weight: 400;">We (Cayla Skillin-Brauchle and Danielle C. Wyckoff) have come together to birth </span><i><span style="font-weight: 400;">Reproductive Media</span></i><span style="font-weight: 400;">, a project that focuses on all things family, gender, sex, and reproduction. Iterations of Reproductive Media have included a Mobile Zine Library and performative actions and workshops in which we facilitate discussions on these themes. The Reproductive Media Zine Library’s collection includes dozens of contributors who have produced zines related to these topics, ranging from personal experiences to statistics and facts. Our curatorial vision for this library is inclusive: we encourage individuals to share diverse information, experiences, and interpretations. This collection is an ongoing and ever-growing library.</span></p>
<p><span style="font-weight: 400;"> </span></p>
<p><span style="font-weight: 400;">Part of Reproductive Media’s larger mission is to provide educational and advocacy materials and support. Current resources we have produced as free booklets include ways to advocate for family-friendly* workplaces, suggestions for creating more inclusive educational settings, and other tools to advocate for legislative change such as ones that would support families for medical leave. (*We recognize an inclusive definition of family and remember that people receive love and support from partners, elders, children, siblings, lovers, pets, friends, and more.) </span></p>
<p><span style="font-weight: 400;"> </span></p>
<p><span style="font-weight: 400;">Reproductive Media stems from our shared investment in discussion and because our individual artistic practices utilize conversation and crowdsourcing as a tactic to research and create projects. Wyckoff’s project, “Please Tell Me a Story About Love,” has traveled around the world asking folks to do just that. The project’s open-ended structure situates the artist as listener, hearing and recording stories about all forms of love. Skillin-Brauchle’s “Data Collection” performances seek to create local data sets by interviewing community members in public places. While disparate in their approaches, these projects act as non-judgemental agents, recorders of contemporary experience. Our projects focus on the ‘local,’ whether that be a site or a community, and both projects collect responses that fuel our individual artwork in other material forms.</span></p>
<br />
<p><span style="font-weight: 400;">We believe that critical discussions require space. Reproductive Media creates such a space, one that is a public yet private forum, to talk about all things family, sex, gender, and reproduction: the choice to parent or not; the experiences of non-binary lives; governmental policy that is restrictive and policy that is protective; the challenges and rewards of parenting; experiences of becoming a parent through adoption, foster care, birth, or other paths; LBGQTIA+ rights; infertility and the emotional, physical and financial implications; miscarriage and fetal loss; birth control; abortion; models of prenatal care and giving birth (medical model and midwifery model); reproductive rights; reproductive privilege based on identity and socio-economics; sex; babies; gender; consent.</span></p>
Organization Website
reproductive.media@gmail.com
Organzation Director
Cayla Skillin-Brauchle
Danielle C. Wyckoff
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Title
A name given to the resource
Reproductive Media
abortion
activism
advocacy
art
birth
Care
caregiving
collaboration
community
consent
crowdsourcing
education
equity
family
fashion
fatherhood
feminism
fetal loss
gender
gestation
identity
inclusive
infertitlity
LGBTQIA+
library
miscarriage
motherhood
non-binary
paid family leave
parenthood
performative action
policy
pregnancy
reproduction
sex
workshop
zines
-
https://artistparentindex.com/files/original/0b40dff0a9911515d0cc7fb1714c6a09.png
4038b628e268d5c6f24fb0970efdc00c
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Title
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Artist Parent Organization Database
Service
An organization supporting artist parents.
Location
The location of the interview
Ireland
Topic
parenting artists
residencies
precarity
caretaking
reproductive labor
mother
father
time
money
children
family
feminist
home
creche
domestic labor
About
The Mothership Project is a network of parenting artists in Ireland. The Mothership Project aims to support parenting artists in the development of their practice and to encourage arts organisations to make the art world a more inclusive place for artists with children. The Mothership Project wants to see societal and institutional change for parents in the art world. Being a parent can be challenging at the best of times, but with precarious circumstances and incomes, and uncertain futures parenting artists can be doubly challenged within a society that is lacking many supports for those with children.
Organization Website
<a href="https://themothershipproject.wordpress.com/" target="_blank" rel="noopener">https://themothershipproject.wordpress.com/</a>
<a href="https://themothershipproject.wordpress.com/2019/05/12/satellite-findings-publication-launch-16th-may-2019/">SATTELITE FINDINGS - Publication</a>
Organzation Director
The Mothership Project is currently managed collectively by four artists :
Leah Hillard, Michelle Browne, Seoidín O’Sullivan and Tara Kennedy. They organise and administer the workings of the network. There are many artist parents who have
contributed to this project and The Mothership exists through the collective effort and generosity of the many creative minds and caring bodies that have willed it into being.
Leah Hillard
Michelle Brown
Seoidín O’Sullivan
Tara Kennedy
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
The Mothership Project
-
https://artistparentindex.com/files/original/6bb2e1291d6d97f55b95215dc55ca471.jpeg
e64733c4c2f74f7168d91059c7fc1266
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Artist Parent Index
Person
An individual.
Website
The Artist's website
<p class="p1"><a href="http://www.jessdobkin.com" target="_blank" rel="noopener">jessdobkin.com</a></p>
Medium
performance
social practice
Location
The location of the interview
Toronto
Canada
Artist Statement
<p class="p1">I’ve been a working artist, curator, community activist and teacher for more than 25 years, creating and producing intimate solo performances, large-scale public happenings, socially engaged interventions and performance art workshops and lectures. My practice extends across black boxes and white cubes, art fairs and subway stations, international festivals, and single bathroom stalls. I’ve operated an artist-run newsstand in a vacant subway station kiosk, a soup kitchen for artists, a breast milk tasting bar, and a performance festival hub for kids. I’m forever inspired by the rebel queers, renegade witches, and other dyke moms I run with, and bound to many brilliant artists, activists, spell-casters and healers. <span class="s1">For many years I made performances that drew from my own experiences of trauma and transformation, intimacy and motherhood. More recently, I’ve experienced a shift in my practice, where my attention has turned to wider theoretical questions about the nature of performance itself to </span>ask questions about when, where, how we perform - in theatres and galleries, on social media, and in our everyday lives.</p>
Topic
abjection
activism
adulthood
aging
archive
art
art and research
artist mother
art making
artist parent
artist/mother
artistic labor
artists with children
autobiography
binary tensions
bioethics
biology
birth
birth and death
birth trauma
bleeding
body
body exploration
body transformation
breast milk
breast pump
breastfeeding
breastmilk
care
censorship
childhood
creative practice
creative strategies
cultural reproducers
culture
curating
curation
curator
curatorial practice
documentation
domestic labor
domestic life
domestic space
domesticity
early motherhood
early parenthood
empathy
ethics
exhaustion
family
family accessible event
family portrait
feminism
feminist
feminist art
feminist art theory
gender
gender roles
gender stereotypes
human body
humor
identity
interdisciplinary
intimacy
invisible labor
lactation
love
materiality
maternal
maternal body
maternal bodies
maternal care
maternal desire
maternal experience
memory
menstruation
mess
milk
mother
mother artist identity
mother as artist
mother body
mother/artist identity
mother/child relationship
motherhood and political context
motherhood
motherhood and art
motherhood and art practice
motherhood and creative practice
motherhood and social context
motherhood and studio practice
motherhood as art practice
mothering
mothers
nursing
nursing mothers
objectification
parent
parent artists
parent/child relationship
parenthood
parenting
parents
patriarchy
performativity
personal experience
play
subjectivity
power
public breastfeeding
public space
pumping
queer
queer identity
queer parenting
representation
representations of motherhood
research and art
resistance
ritual
rituals
sexuality
single mothers
single mother
social justice
social practice
stories
storytelling
theory
time
transformation
trauma
vagina
visual culture
woman
women
women and gender studies
women artists
women representation
women's health
women's identity
Exhibitions
Exhibitions in the Index that an artist has participated in. The two entries will be linked.
The Lactation Station Breast Milk Bar 2006, 2012, 2016
Imagined Family Portraits 2007 - ongoing
Free Childcare Provided 2013
Fee for Service 2006
Being Green 2009
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Jess Dobkin
abjection
activism
adulthood
ageing
archive
art
art and research
art making
artist mother
artist parent
artist-parents
artist/mother
artistic labor
artists with children
autobiography
binary tensions
bioethics
biology
birth
birth and death
birth trauma
bleeding
body
body exploration
body transformation
breast milk
breast pump
breastfeeding
breastmilk
Care
censorship
childhood
creative practice
creative strategies
cultural reproducers
culture
curating
curation
curator
curatorial practice
documentation
domestic labor
domestic life
domestic space
domesticity
early motherhood
early parenthood
empathy
ethics
exhaustion
family
family accessible event
family portrait
feminism
feminist
feminist art
feminist art theory
gender
gender roles
gender stereotypes
human body
humor
identity
interdisciplinary
intimacy
invisible labor
lactation
love
materiality
maternal
maternal bodies
maternal body
maternal care
maternal desire
maternal experience
memory
menstruation
mess
milk
mother
mother artist
mother artist identity
mother artists
mother as artist
mother body
mother/artist identity
mother/child relationship
motherhood
motherhood and art
motherhood and art practice
motherhood and creative practice
motherhood and political context
motherhood and social context
motherhood and studio practice
motherhood as art practice
mothering
mothers
nursing
nursing mothers
objectification
parent
parent artists
parent/child relationship
parenthood
parenting
parents
patriarchy
performativity
personal experience
play
power
public breastfeeding
public space
pumping
queer
queer identity
queer parenting
representation
representations of motherhood
research and art
resistance
ritual
rituals
sexuality
single mother
single mothers
social justice
social practice
Stories
storytelling
subjectivity
theory
time
transformation
trauma
vagina
visual culture
woman
women
women and gender studies
women artists
women representation
women’s health
women’s identity
-
https://artistparentindex.com/files/original/323182115e14ad6719e32ae41d2b4e30.jpg
0f5855b7f6f96e1c96fc432cbd52c06c
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Artist Parent Index
Person
An individual.
Website
The Artist's website
<a href="http://laurayuile.com" target="_blank" rel="noopener">http://laurayuile.com</a>
Medium
installation
sculpture
video
performance
Location
The location of the interview
London
United Kingdom
Artist Statement
<p style="font-weight: 400;">My work is multidisciplinary, installation-based, and performative, exploring notions of the domestic and the urban through the intimate (or public) matters of living together; personal care and household maintenance; wellness and well-being; and the effects of globalization and technological development upon living space. Propelled by narrative, installations probe issues of social discomfort and our cultural obsession with cleanliness; the methods through which society sanitizes women; our desire for quick-fix methods of self-help and self-care; and the increasing invisibility of technological infrastructure in the urban and domestic landscape.<br /><br />I have recently been the societal tendency to position the figure of the Child as representative of “the future” – a reliance on reproductive futurism - and the problems of this representation for those who choose not to reproduce or cannot reproduce. I’m interested in positioning issues of social reproduction alongside those of biological reproduction and exploring the notion of reproductive futurity alongside the neoliberal characteristic of cleanliness as generating a forward-facing pathway. I’m interested in deconstructing notions of “the future” and asking questions about ideas of care in relation to reproductive futurity and the drive for technological “innovation”.</p>
Topic
reproduction
reproductive futurity
family
care
feminism
queer
non-binary
the body
domesticity
labor
home
future
technology
childfree
childlessness by choice
childlessness by chance
Exhibitions
Exhibitions in the Index that an artist has participated in. The two entries will be linked.
nGbK (Berlin); Galerie Kunstbuero (Vienna); Apexart (New York); The Blackwood Gallery (Toronto); Recent Activity (Birmingham); Tate Britain (London); Mauve (Vienna); t-space (Milan) and Collective (Edinburgh).
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Laura Yuile
Care
domesticity
family
feminism
home
installation
labour
non-binary
performance.
queer
reproduction
reproductive futurity
sculpture
technology
the body
the future
video
-
https://artistparentindex.com/files/original/85da3d5caa0395e78e0dc1585b14cde5.jpg
114eabbc295bbdeb9549e36a50513847
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Artist Parent Index
Person
An individual.
Website
The Artist's website
<a href="http://www.sherfickart.me">www.sherfickart.me</a>
Topic
motherhood
medication
post-partum depression
anti-depressants
family
family history
medical care
medicine
Medium
mixed media installation
textile mixed media
textile
Artist Statement
<br /><span>As an artist, I never identified myself with my family. My having a family was just a part of my biology, driving relations and the cause of both joy and sorrow. All of these identifiers caused ambiguity within me. Constriction, restraint, joy with sorrow, and invisibility were the products of my familial experiences. Unfortunately, this separatist attitude developed into a denial of my complete person. I AM a woman, a daughter, a granddaughter, an aunt, a sister, a wife, and a mother. I carry the practices of many generations- messages of motherhood and womanhood in my very veins and soul. As I began an archeological dig into my familial ties, I re- discovered and acknowledged - for the first time - my family history and existence. My works now include the very ambiguity I feel over this issue. The use of domestic and childhood materials and constructions of fabric and vintage apparel reveal the paradox of family history – myths, storytelling, truth, lies, misunderstandings, and, above all, the difficulty of unconditionally loving one another. By questioning what family ties mean to me, I offer a record of one artist’s journey into acceptance and the embrace of the familial spirit I have denied for years. My work now reflects the depolarization of my familial/individual self.<br /><br /></span>My art intends to question the roles of women and women artists. My use of domestic and childhood materials and constructions of fabric and prescription bottles reveal the paradox of the life of this woman artist. I have embraced my love of the color pink and the vintage teal that stands for home and comfort and I celebrate the drugs which allow me to create and thrive. By questioning what femininity and pharmaceuticals means to me, I hope to offer a record of one-woman artist’s journey into acceptance and the embrace of the feminine spirit I have denied for years. Recent works visualize the depolarization of my artist/feminine self. <br /><br />In <a href="https://www.sherfickart.me/#/artgallery/a-paxil-a-day/"><strong>A PAXIL A DAY</strong></a>, I chose to display the medications themselves in clear, pharmacy style mylar bags. Hung plainly on the wall in a grid pattern, I make my medical and emotional history transparent to the viewer. I am not ashamed of needing the prescriptions, I am proud of myself for seeking and developing a regime for well-being. A PAXIL A DAY serves as an announcement and/or ‘bulletin’ board of my status. By celebrating the pharmaceuticals which help me to live and thrive, by being unashamed to live authentically – I hope to alleviate the social prejudice that exists against mothers on medication.<br /><br />In <a href="https://www.sherfickart.me/#/artgallery/coping-skills/"><strong>COPING SKILLS,</strong></a> I have confronted and embraced my history of medical issues and my use of anti-anxiety and anti-depression prescriptions. After a practice of collecting all the prescriptions and their bottles since 1997, I chose to crazy quilt them with vintage fabrics utilizing tatting thread in rough, utilitarian stitches. By displaying these bottles (45 which equal one year of medications) on a plain wooden altar with a plexi-mirrored shelf, I celebrate the life I have been able to live due to their remedies. As a result of pharmaceutical intervention, I maintain a well-being of physical and emotional health which allows me to be the best wife, mother, artist, and human I can be.
Location
The location of the interview
Spring Hill
Tennessee
USA
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Contributor
An entity responsible for making contributions to the resource
Sher Fick
Title
A name given to the resource
Sher Fick
anti-depressants
family
family ties
installation
medication
mixed media
motherhood
postpartum
postpartum depression
textile
-
https://artistparentindex.com/files/original/ee4a215c329819441b6ba70502d2d1c4.png
1027a64a0a350aab17a691bb4ae7b1cb
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Resource Library
Book
A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text.
Author
Scott Coltrane: Fatherhood, Housework, and Gender Equity
Publisher
Oxford University Press
Date of Publication
December 11, 1997
ISBN 13
978-0195119091
ISBN 10
0195119096
Topic
fatherhood
housework
gender equity
gender studies
marriage
family
sociology
shared parenting
family structures
restrictive gender roles
fathers as caretakers
primary caregivers
ideological motherhood
working parents
economics and caregiving
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Family Man
caregiving
economy and caregiving
family
fatherhood
fathers as caregivers
gender equality
gender equity
gender roles
ideological motherhood
motherhood
sociology
-
https://artistparentindex.com/files/original/ed86bc1f2852680ac810e0a690ac1367.jpeg
9d0e5aa59387acd883c5b73284942cf2
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Exhibition Archive
Event
A non-persistent, time-based occurrence. Metadata for an event provides descriptive information that is the basis for discovery of the purpose, location, duration, and responsible agents associated with an event. Examples include an exhibition, webcast, conference, workshop, open day, performance, battle, trial, wedding, tea party, conflagration.
Artists
Morgan Levy
<a href="http://artistparentindex.com/items/show/163" target="_blank">Anna Ogier-Bloomer</a>
Exhibition Website
<a href="http://calendar.artcat.com/exhibits/8176" target="_blank">http://calendar.artcat.com/exhibits/8176</a>
Gallery
chashama uws Gallery
Location
The location of the interview
Columbus Avenue
Upper West Side
New York
Curator
Ad Nauseum Lyceum
Curatorial Statement
<p>Ad Nauseam Lyceum is pleased to present Domestic Skin, an exhibition of photographs by Morgan Levy and Anna Ogier-Bloomer, two New York based artists whose portrayal of family is central to their work. Ad Nauseam Lyceum’s first exhibition devoted solely to photography, Domestic Skin addresses the tension between destiny and growth, presented through the lens of two distinct female photographers. Morgan Levy’s portrayal of pre-adolescent girls in paper costumes and placed against a backdrop of her landscape photographs serve as a metaphor for the psychological complexities her subjects face. Anna Ogier-Bloomer’s documentation of her middle class family in Ohio captured over a five-year period illustrates the stark reality and familiarity of loved ones in transition. Together these artists present a story of growing up female, stepping out of what’s comfortable, and whether by idealistic choice or bare necessity, putting on a new persona.</p>
<p>Ad Nauseam Lyceum is an artist run organization committed to showcasing multi-disciplinary work by emerging artists in New York . The group aims to give young artists an opportunity to collaborate, present work, and have a creative dialogue outside the traditional art market. Founded in 2006 by Ryan Frank, Deena Selenow, and Rory Sheridan, the group has hosted previous events at Emphemeroptera Art Space, chashama, <span class="caps">EXPLOSIVO</span>! and Studio 717, and has collectively shown the work of over 50 visual and performing artists. Dedicated to blurring the lines between various artistic genres, Ad Nauseam Lyceum is a platform for a new generation of artists working in performance, visual art, and new media.</p>
<p>chashama is a non-profit New York City arts organization with a nine-year history of supporting artists of all genres and experience levels by offering them access to space and major support resources. chashama provides opportunities for artists by transforming vacant real estate into multi-arts complexes and animating them with innovative and challenging art. Through low and no-cost admissions, chashama provides more opportunities for audiences as well as artists.</p>
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
October 17 - November 2, 2008
Topic
growth
psychological complexity
family
domestic
gender
family
photography
persona
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Domestic Skin
Columbus Avenue
domestic
family
growth
New York
psychological complexity
Upper West Side
-
https://artistparentindex.com/files/original/3a7d5122e78baa44716f5bbebf551b4e.jpg
2736f3f140888a8ec399cf6a11e721cb
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Artist Parent Index
Person
An individual.
Website
The Artist's website
<a href="http://www.annaogierbloomer.com" target="_blank" rel="noopener">annaogierbloomer.com</a>
Topic
motherhood
family
breastfeeding
Medium
photography
Artist Statement
This work, made during the first two years of my new role as mother,demonstratesthe complexityof doing the most difficult yet most meaningful work I’d ever done. The physical act of motherhood begins at conception and continues to evolve through a child’s life. Here, I turnmy lens on these physical elements: pain on the surface of the skin, illness, emotional outpouring of love and distress, the engorgement of the breast. These things simultaneously bring excruciating physical pain and unparalleled emotional joy. Through images of my own mother, I attach a thread from one generation to the next. I confront the complexity of these seemingly contradictory states of being, and the ways in which women feel the pull of motherhood, their children, and their physical self and appearance in a way unlike anything or anyone else.
Location
The location of the interview
New York
USA
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Contributor
An entity responsible for making contributions to the resource
Anna Ogier-Bloomer
Title
A name given to the resource
Anna Ogier-Bloomer
breastfeeding
family
lactation
motherhood
New York
pain
photography
United States
-
https://artistparentindex.com/files/original/fea2248b5cdcf2c98b53e157203d780e.jpg
a00417093d996ef9759548662aef52ad
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Artist Parent Index
Person
An individual.
Website
The Artist's website
<span><a class="in-cell-link" href="http://www.mhurstfrye.com/origin.html" target="_blank">http://www.mhurstfrye.com/origin.html</a></span>
Medium
still life
photography
Location
The location of the interview
Seattle
Washington
Artist Statement
<span>Melinda Hurst Frye</span><span> is a photographic artist working in themes of implied environments and shared experiences. She exhibits at CORE gallery in Seattle, Washington. Melinda holds an MFA from the Savannah College of Art and Design and is a dedicated member of </span><span>Society for Photographic Education.</span><span> Melinda Hurst Frye teaches photography at the Art Institute of Seattle as well as occasional workshops in the northwest region.</span>
Topic
motherhood
birth
family
childhood
domestic life
environment
passage of time
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Melinda Hurst Frye
birth
botanical
childhood
domestic life
environment
family
passage of time
photography motherhood
Seattle
still life
Washington
-
https://artistparentindex.com/files/original/8482c0cc38cbdfafe968701b1a35d129.png
0aff7ad78f2a519dba310f09c021b4a0
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Artist Parent Index
Person
An individual.
Website
The Artist's website
<a href="http://www.dinahgold.com" target="_blank">http://www.dinahgold.com</a>
Medium
video art
Location
The location of the interview
London
United Kingdom
Artist Statement
<span>I explore ways of watching, being watched and watching back, to realise ideas of speech, description and paradox through the medium of moving image. My work stems from an interest in, and long family history relating to, surveillance and voyeurism. I use my own family as a vehicle to explore critical concerns around human behaviors. I am using the work to make sense of my family and make sense of myself, I used different edits like an artist would work in paint, to create different textures which are like different levels of experience. Relating to a group of people who are close may involve different kinds of distance and closeness. The video helps me to explore and represent this, which is more complex than just being voyeuristic.</span>
Topic
family
surveillance
voyeurism
observation
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Dinah Gold
family
London
observation
surveillance
UK
United Kingdom
video art
voyeurism
-
https://artistparentindex.com/files/original/2f9081c6a994a4f65cb60582d53df50b.jpg
ad28ad3bf5706ed55ab7abb5703b3252
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Artist Parent Index
Person
An individual.
Website
The Artist's website
<a href="http://www.gailrebhan.com" target="_blank">gailrebhan.com</a>
Topic
gender
parenting
feminism
mothering
family
male clutter
race
religion
Medium
photography
artists' books
video
Artist Statement
I have created artwork for over thirty years that explores mothering from a social, cultural, and emotional point-of-view. I use my family (and myself) as typical representatives of quotidian, middle-class, American family life. I draw on my experiences to create art that puts this into a social, cultural, and emotional context. In my early artwork, the act of mothering is overt, as I try to instill my values in my sons. As they grow older, that becomes harder as they engage in typical challenging behavior. The artwork reflects changing family dynamics. Through gentle humor and without didacticism, I examine inconsistencies, faults, and problematic behavior as reflected in family life.
Location
The location of the interview
Washington DC
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Gail Rebhan
artists books
family
feminist
gender
Male Clutter
mothering
parenting
photography
Race
Religion
video
-
https://artistparentindex.com/files/original/46f6b7765a42c0c3af549ebd6c995230.jpg
2d4792beebf077c0316010b3a76b43dd
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Artist Parent Index
Person
An individual.
Website
The Artist's website
<a href="http://www.artlist.cz/katerina-olivova-108635/" target="_blank">http://www.artlist.cz/katerina-olivova-108635/</a>
<a href="https://vimeo.com/user2505168" target="_blank">https://vimeo.com/user2505168</a>
Topic
motherhood
breastfeeding
activism
family
child as artist
Medium
performance art
video art
activism
texts
Location
The location of the interview
Brno
Czech Republic
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Contributor
An entity responsible for making contributions to the resource
Kateřina Olivová
Title
A name given to the resource
Kateřina Olivová
activism
breastfeeding
child as artist
family
motherhood
performance art
text
video art