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300
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https://artistparentindex.com/files/original/e96f78c147b8fc58a1ea27529f233fff.jpg
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Resource Library
Book
A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text.
Author
Selma James
Editor
Nina Lopez
Contributor
The author of an article within an anthology
Margaret Prescod
Publisher
PM Press
Date of Publication
7/2021
ISBN 13
978-1-62963-838-6
Topic
feminism
care
economics
race
class
About
<p>For over sixty years, Selma James has been organizing from the perspective of unwaged women who, with their biological and caring work, reproduce the whole human race—along with whatever other labor they are performing. This work goes on almost unnoticed everywhere on the planet and in every culture. When this work is not economically prioritized, politically protected, or socially supported there are dire consequences for the whole of humanity, beginning with women and children.</p>
<p>This much-anticipated follow-up to her first anthology,<span> </span><em>Sex, Race, and Class</em>, compiles several decades of James’s work with a focus on her more recent writings, including a groundbreaking analysis of C.L.R. James’s two masterpieces,<span> </span><em>The Black Jacobins</em><span> </span>and<span> </span><em>Beyond a Boundary</em>, and an account of her formative partnership with him over three decades. Her experience with the Caribbean movement for independence and federation is reflected in her introduction to Ujamaa, the extraordinary work of Tanzanians to bypass capitalism, and much more.</p>
<p>Steeped in the tradition of Marx urging the need for a “practical movement,” James recounts the unusual history of how autonomous organizations formed within the International Wages for Housework Campaign and reshaped it. Women of color, queer women, sex workers, women with disabilities … each independent but mutually accountable (including to the men’s network with whom they work) as they confront sexism, racism, deportation, rape, and other violence.</p>
<p>James makes the powerful argument that the climate justice movement can draw on all the movements’ people have formed to refuse their particular exploitation, to end the capitalist hierarchy that is destroying the world. Our time is now.</p>
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Our Time Is Now: Sex, Race, Class, and Caring for People and Planet
class
economics
feminism
Race
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https://artistparentindex.com/files/original/3184162d0737140a53e507ad029030d8.jpg
1ab8a940b8c125447c65c554523654a3
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Artist Parent Index
Person
An individual.
Website
The Artist's website
<a href="http://www.axisweb.org/p/alisononeill/#artwork" target="_blank" rel="noopener">http://www.axisweb.org/p/alisononeill/#artwork</a>
Medium
drawing
film & video
installation
research
Location
The location of the interview
Cambridge
United Kingdom
Artist Statement
<p>My practice based research uses autoethnographic and feminist methodologies to examine maternal subjectivities with a particular focus on the mother as a classed and gendered subject.</p>
<div class="more">
<p>I am also interested in the performativity of motherhood and in examining narratives of the good and bad mother and how these narratives are perpetuated in everyday encounters and experiences.</p>
</div>
Topic
motherhood
feminist theory
the maternal
autoethnography
subjectivity
memory
remembering
performativity
class
Publications
A catalog or monograph published by the artist
<a href="http://www.artistparentindex.com/items/show/463">The Maternal in Creative Work Intergenerational Discussions on Motherhood and Art, Contributor</a>
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Alison O’Neill
autoethnography
Cambridge
class
drawing
feminist theory
film
installation
memory
motherhood
performativity
remembering
subjectivity
the maternal
United Kingdom
video