1
300
12
-
https://artistparentindex.com/files/original/ce82dc223c6e43643c970c11769cd050.jpg
17a49fd9aa90dc0d37265f3b401dadb6
Dublin Core
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Title
A name given to the resource
Artist Parent Index
Person
An individual.
Website
The Artist's website
<a href="http://www.carrascoart.com" target="_blank" rel="noopener">carrascoart.com</a>
Topic
birth
postpartum
newborn
breastfeeding
stretch marks
postpartum body
black mother
Mexican mother
breast milk
multipara
natural birth
Medium
oil on canvas
Artist Statement
I paint what I know. Sometimes it involves communicating perceptions, relationships, and feelings too difficult for me to put into words. I'm inspired by depth, continuity, love, faith, and multi-generational connections, the most meaningful things we have, and sometimes what we lose. There is a certain forgiveness of myself I must practice each time I paint. Raising a family with six children at home and caring for a mentally ill parent means that painting sessions are reduced to blocks of time lasting an hour or less. Painting in this manner reflects my current life circumstances in hurried brushstrokes and imperfections that reveal my most authentic voice.
Dublin Core
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Contributor
An entity responsible for making contributions to the resource
Lupita Carrasco
Title
A name given to the resource
Lupita Carrasco
birth
black mother
breast milk
breastfeeding
Mexican mother
multipara
natural birth
newborn
oil on canvas
postpartum
postpartum body
stretch marks
-
https://artistparentindex.com/files/original/2ce13ef1e979de3fe5cd255bd029fee9.jpg
2f833af1772af0bf05b09120a3dda584
Dublin Core
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Title
A name given to the resource
Artist Parent Index
Person
An individual.
Website
The Artist's website
<a href="http://www.anadiaknox.com" target="_blank" rel="noopener">www.anadiaknox.com</a>
Topic
breastfeeding
nurturing
postpartum body
sexuality
motherhood
parenthood
Medium
performance
sculpture
installation
video
photography
Artist Statement
My most recent body of work utilizes themes relating to body, identity and time, from the perspective of a mother, partner and individual. I am interested in the ways that nurturing and caring for a child translates as occupational labor, and how this makes common cause with the working class by exploring the laborious nature of parenthood. I approach these ideas through various methods, including casting, construction and performance. While the different series in this body of work investigate separate ideas relating to roles of the postpartum body, a shared use of material can be seen throughout. Construction materials such as wooden pallets, 2x4s and scaffolding reference blue collar workforce, while breast milk storage bags and nursing pads suggest the time-consuming and repetitive notions associated with motherhood. The series in this body of work evolves as my role as a caretaker evolves, and aims to question how modern society values parenthood.
Location
The location of the interview
Loris
South Carolina
USA
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Contributor
An entity responsible for making contributions to the resource
Alexandra Knox
Title
A name given to the resource
Alexandra Knox
breastfeeding
installation
motherhood
nurturing
parenthood
performance
photography
postpartum body
sculpture
sexuality
video
-
https://artistparentindex.com/files/original/90a59b3d4a20eb3c0c88e422facd732e.jpg
f0394855ac198b231d4fc17c0c11e184
Dublin Core
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Title
A name given to the resource
Artist Parent Index
Person
An individual.
Website
The Artist's website
<a href="http://www.alisonchen.com" target="_blank" rel="noopener">www.alisonchen.com</a>
Medium
video
photography
performance
Location
The location of the interview
Los Angeles
California
USA
Artist Statement
Through video, performance, photography, and text, I explore the complexities and confusions<br />that surround the act of love and the dynamics of vulnerability. What are the areas where our<br />preconceived notions fall short. How do we hold on to beauty amidst fear and failure? My work<br />approaches motherhood from within this framework as I process the ramifications of the<br />transformation into “mother” and the simultaneous shift in her relationship to time and mortality.<br />Ultimately, the work explores the concurrent existence of bliss and fear, birth/life and death,<br />resistance and acquiescence.
Topic
motherhood
loss
miscarriage
breastfeeding
postpartum body
Exhibitions
Exhibitions in the Index that an artist has participated in. The two entries will be linked.
Color: Coded, New Art Center, Newton, MA
<a href="http://www.artistparentindex.com/items/show/495">Painting at Night, Fort Houston Gallery, Nashville, TN</a>
Dublin Core
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Title
A name given to the resource
Alison Chen
breastfeeding
loss
miscarriage
motherhood
performance
photography
postpartum body
video
-
https://artistparentindex.com/files/original/71f0dfd825f87974c1e21db2782e3b75.jpg
5529d18e1916434fe5b81e92aedc38bc
Dublin Core
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Title
A name given to the resource
Artist Parent Index
Person
An individual.
Website
The Artist's website
<a href="http://www.crystalannbrown.com" target="_blank" rel="noopener">crystalannbrown.com</a>
Medium
multidisciplinary
interdisciplinary
Location
The location of the interview
Buckhannon
West Virginia
USA
Artist Statement
Crystal Ann Brown is an interdisciplinary artist/mother/academic currently working in
Buckhannon, West Virginia. For the past 9 years, her work has focused on holistically
blending art and life. This blending of her studio practice with her daily life also touches on
its inherent challenges. In her words, “my love/hate relationship with my kitchen might
manifest in my drawings and paintings that celebrate work and the labor of love with a hint
of fury and frustration shown in the economy of line found in blind contour drawings.” Her
practice strives to reveal the underappreciated aspects of mothering and everyday life
through the use of textiles, sculpture, time-based media, social practice and drawing.
Topic
labor
caretaking
mothering
play
domestic labor
naptime
cooking
cleaning chores
laundry
postpartum body
house
home
nursing
breast milk
family
Exhibitions
Exhibitions in the Index that an artist has participated in. The two entries will be linked.
2019 Why Mom, Commonweath Galley, Madison, WI
2019 Re : Birth, Edinburgh Palette, St. Margaret’s House, Edinburgh, Scotland
2018 Home Makers, Romano Gallery, Charleston, WV
2015 Interior Spaces (solo exhibition) Sleeth Gallery, Buckhannon, WV
2013 Shared Space (solo exhibition), The Hown’s Den, Kansas City, KS
2012 The Sea: Between Speech and Language (solo exhibition), Siegfried Gallery, Athens, OH
Dublin Core
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Title
A name given to the resource
Crystal Ann Brown
breast milk
Buckhannon
caretaking
chores
cleaning
cooking
domestic labor
family
home
house
interdisciplinary
labor
laundry
mothering
multidisciplinary
naptime
nursing
play
postpartum body
WV
-
https://artistparentindex.com/files/original/c78459004d1242ec6011671f854a29b3.jpg
464538a94bada4934d26dca8498de10a
Dublin Core
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Title
A name given to the resource
Artist Parent Organization Database
Service
An organization supporting artist parents.
Location
The location of the interview
Baltimore
Maryland
Topic
maternal form
maternal body
motherhood
postpartum
maternal relationship
mother-child relationship
identity
race
pregnancy
form
weight
postpartum body
abstract
figurative
magazine
publication
visual art
photography
creative writing
breastfeeding
milk
maternal experience
fruit
About
Containing an intentionally curated body of work, conceptually driven, and visually
focused, MILKED is a new publication that focuses on the undertones of the maternal figure.
Styled like a newspaper, and published as a book, this full color, 8.5” x 14” publication features
76 pages of visual art, photography and written word by international, female artists. MILKED is
an independent project, initiated and curated by Lee Nowell-Wilson and designed by Darin
Michelle. Both artists. Both mothers.
Organization Website
<a href="http://www.leenowellwilson.com/milked-magazine" target="_blank" rel="noopener">leenowellwilson.com/milked-magazine</a>
<a href="http://www.milkedmagazine.com" target="_blank" rel="noopener">milkedmagazine.com</a>
Organzation Director
Lee Nowell-Wilson (founder, editor, and curator)
Darin Michelle
(creative director and designer)
Dublin Core
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Title
A name given to the resource
MILKED
abstract
breastfeeding
creative writing
figurative
form
fruit
identity
magazine
maternal body
maternal experience
Maternal form
maternal relationship
milk
mother- child relationship
motherhood
photography
postpartum
postpartum body
pregnancy
publication
Race
visual art
weight
-
https://artistparentindex.com/files/original/6a5b3c63539bb6a4426ef547e21903ce.jpg
2fe7a6ab781d8b9f9c3a5254552f4d02
Dublin Core
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Title
A name given to the resource
Artist Parent Index
Person
An individual.
Website
The Artist's website
<p class="p1"><a href="jesstaylorartist.com" target="_blank" rel="noopener">jesstaylorartist.com</a></p>
Medium
sculpture
new media
Location
The location of the interview
Adelaide
Australia
Artist Statement
<p class="p1">I am an early career artist whose practice explores my fascination with fictional horror through primarily digital methods of making. Within the broader realm of horror, I have a particular interest in monsters, voyeurism, and depictions of female brutality, sadism, and masochism. Using my own image and body exclusively, my work presents versions of womanhood that transgress the bounds of what we are taught is acceptable, uncanny spectres of female experience that society is keen to repress. Here, monstrosity is configured as a source of damnation and agency, reflecting womanhood as complex and contradictory.</p>
<p class="p2"></p>
<p class="p3">My own experience as a mother has been one of profound contradiction, of exhilarating highs and profound lows, of love and fury, comfort and trauma. I struggle to reconcile the fact that the greatest time in my life is also the one when it was the darkest, and that my body birthed a miracle but feels like a ruin. I am not as I was, but not quite sure what I am now; I’ve yet to turn into anything resembling the gargantuan mother archetype we’re fed, and too much of the old Jess remains for me to consider myself someone new. I have been transformed, reborn, reconfigured using the old parts. Some days those new parts feel like they were made of steel, making me infinitely stronger than I was, and other days that steel bites into my flesh, broken limbs fused back together suddenly failing to bear my weight.</p>
<p class="p4"></p>
<p class="p3">Motherhood is a monstrous condition; it is incredible and disturbing, beautiful and completely fucked up. Like monstrosity, it is transformative, and for the woman-monster, this transformation is a source of both agency and damnation, strength and weakness. My work since my son is in part an attempt to reconcile the contradiction inherent in my own experience of motherhood, and to bridge the divide between what I am and what we are told a mother should be.</p>
<p class="p3">Experiencing pregnancy for the second time has greatly influenced my work, causing me to reflect much more closely on the process of bearing a child. There is the strange bodily awareness and attempts to reconcile this cavernous space that exists within me, and evocations of my own paranoias as I imagine this space as a place of both hope and doom. I like to think there is also some absurdity when one looks at a ridiculous, bulbous woman, or my lady-giants, but there is also the tenderness of the nets that keep the babies close to her body, or the way a stomach is opened up to sate the curiosity of the smaller figures who peer inside. There is the sorrow of the figure on the bridge as she surveys the fallen before her (a mediation on periods in history where the practice of fallen-mothers ending their lives and the lives of their offspring was not only a grim expectation, but an act of redemption), and my attempt to see a ruin as a place of beauty and life.</p>
Topic
abjection
ambivalence
anger
anxiety
artist mother
attachment
autonomy
bad mother
birth
birth trauma
body transformation
boundaries
childbirth
contemporary
contemporary art practice
contradictions
domestic
family ties
female experience
female sexuality
feminine
femininity
feminism
feminist
feminist art
feminist art theory
fertility
grotesque
growth
guilt
identity
loneliness
longing
loss
loss of identity
maternal ambivalence
maternal anxiety
maternal body
maternal desire
maternal experience
maternal fear
maternal guilt
mother
mother artist
motherhood
postpartum body
pregnancy
pregnant body
psychoanalysis
representation
science fiction
self portrait
technology
trauma
voyeurism
womb
women
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Jess Taylor
abjection
ambivalence
anger
anxiety
artist mother
attachment
Australia
autonomy
bad mother
birth
birth trauma
body transformation
boundaries
childbirth
contemporary art
contemporary art practice
contradictions
domestic
family ties
female experience
female sexuality
feminine
femininity
feminism
feminist
feminist art
feminist art theory
feminist theory
fertility
grotesque
growth
guilt
identity
loneliness
longing
loss
loss of identity
maternal
maternal ambivalence
maternal anxiety
maternal bodies
maternal body
maternal desire
maternal experience
maternal fear
maternal guilt
mother
mother artist
motherhood
new media
postpartum body
pregnancy
pregnant body
psychoanalysis
representation
science fiction
sculpture
self portrait
technology
trauma
voyeurism
womb
women
-
https://artistparentindex.com/files/original/7e71b299cd76686a987903cbf46578e1.jpg
e76881e23a6c0672e611b81cfb48c7c7
Dublin Core
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Title
A name given to the resource
Artist Parent Index
Person
An individual.
Website
The Artist's website
<a href="http://www.artpatti.com" target="_blank">www.artpatti.com</a>
Topic
Child care
motherhood
postpartum body
maternal mental health
Medium
Mixed media
time based,
social-practice
painting
Artist Statement
Patti Maciesz is a Polish-American artist and curator based in Oakland, California. Her paintings explore place, narrative and identity and blend digital and analog techniques. Her work has been exhibited in Paris, Warsaw, Vermont, New York and Oakland. She graduated with a degree in Visual Arts from Bennington College in 2007 and later managed the Aldrich Editions program at the Aldrich Contemporary Art Museum. She has since curated multiple international exhibitions including the inaugural exhibition at the Centre Du Mode et du Dessin for Chic Art Fair in Paris, Nowa Soda, an artist-in-residency program in Krakow and most recently Country Singer, a digital art show at Heron Arts in San Francisco featuring artist Dmitri Cherniak. Her recent work takes on the secrecy surrounding postpartum life by presenting the often brutal and sometimes comic realities of early parenthood. In a series of watercolor paintings the artist shares relatable and intimate portraits of her changing body, as well as documentation of the endless minutiae and unrewarded sacrifice of caring for a new child. Part figurative abstraction, part charting and time-sheet, Maciesz resists the invisibility that envelopes mothers with her work.
Location
The location of the interview
Oakland
California
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Contributor
An entity responsible for making contributions to the resource
Patti Maciesz
Title
A name given to the resource
Patti Maciesz
body
California
childcare
maternal mental health
mental health
motherhood
Oakland
postpartum body
postpartum maternal body
-
https://artistparentindex.com/files/original/6d709b72f5ecb3baf3f285991b103768.jpg
e91acd79ef94b59a64cd515368519445
Dublin Core
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Title
A name given to the resource
Exhibition Archive
Event
A non-persistent, time-based occurrence. Metadata for an event provides descriptive information that is the basis for discovery of the purpose, location, duration, and responsible agents associated with an event. Examples include an exhibition, webcast, conference, workshop, open day, performance, battle, trial, wedding, tea party, conflagration.
Exhibition Website
<a href="https://mamsie.wikispaces.com/file/view/Shira+Richter.pdf" target="_blank">https://mamsie.wikispaces.com/file/view/Shira+Richter.pdf</a>
Curator
Varda Genosar
Gallery
Hertzliya Artist Residence Gallery
Exhibition Title
The Mother, Daughter and Holy Spirit
Event Type
Exhibition
Location
The location of the interview
Herzliya
Israel
Artists
<a href="http://artistparentindex.com/items/show/78" target="_blank">Shira Richter</a>
Topic
motherhood
maternal body
postpartum body
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
2006
Dublin Core
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Title
A name given to the resource
The Mother, Daughter and Holy Spirit
Contributor
An entity responsible for making contributions to the resource
Shira Richter
Herzliya
Israel
maternal body
motherhood
photography
postpartum body
-
https://artistparentindex.com/files/original/08b6952b0987ecb952d9ec420850f4b5.jpg
1e74169a3a5a0010f2b529667f22d484
Dublin Core
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Title
A name given to the resource
Artist Parent Index
Person
An individual.
Website
The Artist's website
<a href="https://www.facebook.com/shira.richter1/about?section=bio&pnref=about" target="_blank">https://www.facebook.com/shira.richter1/about?section=bio&pnref=about</a>
Topic
motherhood and political context
motherhood and economic context
motherhood and social context
invisible labor
mothering
motherhood
mother work
maternal body
postpartum body
Medium
film
photography
video art
visual performance
lectures
prose
academic writing
poetry
Location
The location of the interview
Israel
Exhibitions
Exhibitions in the Index that an artist has participated in. The two entries will be linked.
<a href="http://artistparentindex.com/items/show/79" target="_blank">The Mother, Daughter and Holy Spirit</a>
Dublin Core
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Contributor
An entity responsible for making contributions to the resource
Shira Richter
Title
A name given to the resource
Shira Richter
academic writing
film
invisible labor
Israel
lectures
maternal body
mother work
motherhood
motherhood and economic context
motherhood and political context
motherhood and social context
mothering
performance art
poetry
postpartum body
prose
video art
-
https://artistparentindex.com/files/original/b8d64cc83dbdb28853fc0c20f728110a.jpg
804fc477e525d362a9aee471a0e3199c
Dublin Core
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Title
A name given to the resource
Artist Parent Index
Person
An individual.
Website
The Artist's website
<a href="http://www.bethgoobic.com/#!metamorphose/cghg" target="_blank">http://www.bethgoobic.com/#!metamorphose/cghg</a>
Medium
ceramics
Location
The location of the interview
Pompton Lakes
New Jersey
Artist Statement
Metamorphose is an ongoing conversation in clay about the journey of becoming a mother and being a mother. It takes place in this study of a common utilitarian household item, the mug. These mug forms are endowed with the presence of both vulnerability and strength. They celebrate the glorified transformation of the pregnant body, but they bring visibility and conversation to the continuing transformation of the body and person after birth. That they are mugs points to the commonness of everyday lived experiences by wo/men in motherhood and motherwork.
Each mug is entirely different reflecting the fact that the experience of mothering is unique to each individual person, even though motherwork is quite often mistaken as a universal concept. These kinds of assumptions about the universality of mothering actually makes the personal experiences of each person doing it invisible. Metamorphose is meant to resist that kind of assumption.
The mugs are a reflection of the pregnant body, the very beginning of the anatomical journey of the female body as it enters motherhood but the mugs also celebrate and acknowledge the transformation of the female body after pregnancy, post birth, which in our society, is a less celebrated transformation, and a less visible journey. Post birth bodies deserve the patience, celebration and glorification that childbearing bodies receive. Post-birth bodies are spacious, healing and rehabilitating, while still maintaining a new additional life. The mugs acknowledge, give presence, and beautify the body post birth.
These mug forms acknowledge the more subtle but continual anatomical journey our bodies endure during motherwork and also a person’s transformative and altering personal journey throughout motherwork. Pertaining to motherwork this conversation in clay is not exclusive to birth mothers, but opens up this conversation to all caregivers that take on motherwork. A man, or a non-biological parent may not physically go through the birthing journey but that person can experience the altering and changing of their own bodies and spirits throughout the journey of motherwork. The common daily motions endured during motherwork, and the effects and marks that motherwork experiences leave on our bodies are also portrayed here in these mugs. With the unknown journey and struggles that each child brings, caregivers are altered in person as they journey with that child through the highs and lows of each experience. This altering of person throughout the lifelong journey of motherhood, so private and personal, joyful and painful, messy and beautiful is celebrated and acknowledged in these basic everyday utilitarian objects.
Like motherwork, the mugs are individual, unique and beautifully imperfect. The forms are altered, and asymmetrical, with undulating rims and drippy glazes. I choose to alter the form as a way to represent and interpret how we are altered in person and body in motherwork. The mugs are fired in a salt and soda kiln resulting in much surface variation among the cups.
Each of these mugs are a functional sculpture and an experience, inviting the viewer to apply their own experiences in motherhood and motherwork to the conversation. The vulnerable yet commanding forms salute the invisible labor of caregiving and everyday experiences of motherwork, which involves a metamorphosis of person and body. Metamorphose is an artistic attempt to make the invisibility of motherhood and motherwork visible in households and workspaces via an everyday utilitarian object.
Topic
motherhood
becoming a mother
transformation
postpartum body
pregnancy
mugs
Dublin Core
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Title
A name given to the resource
Beth Goobic
ceramics
motherhood
mugs
New Jersey
Popton Lakes
postpartum body
pregnancy
transformation
-
https://artistparentindex.com/files/original/4996ea76f895bc842db66bfbf00b4ad9.jpg
608bef1ce965d9e29729ab139126cccf
Dublin Core
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Title
A name given to the resource
Artist Parent Index
Person
An individual.
Website
The Artist's website
<a href="http://alvarezerrecalde.com/" target="_blank">http://alvarezerrecalde.com/</a>
Medium
photography
Location
The location of the interview
Barcelona
Spain
Artist Statement
"Themes inspired by my personal experiences such as vital cycles, birth, motherhood, illness, immigration, ageing and death are found throughout my body of work. I create images that become a document of our love, our fears and our conquests.
My artwork is a contemporary social commentary through which I like to challenge the singular story that has been told and reinforced as a way of normalizing roles and attitudes. I cherish plurality and my way of doing so is to contribute images and testimonies that expands perspective and the constricted existing imagery.
Within a common experience like expecting a child or the passing away of a parent, we find transcendental truth. Art has the potential of transmitting that emotion to confront our daily numbness with something that is authentically substantial and profound.
I believe that there is a manipulative and deliberate lack of information that hinders the understanding of just how empowering and transformative motherhood can be. I cherish plurality and my way of contributing is to share my experiences in order to expand the constrained social imagery.
In "Birth of My Daughter", a self-portrait while giving birth, I take off my "cultural" veil. My maternity is not virginal or aseptic. I am the archetype of the primal woman, the woman beast that has nothing prohibited. I show a maternity not seen through the eyes of Eve (the divine punishment "you will give birth with the pain of your body"), but seen through the eyes of Lucy (the earliest hominid found to date). These photographs can help others rethink the idea of the fragile, painful, out of control and overly medicated birth that is considered the norm in many countries.
How I relate to nudity and blood is a mirror of my fascination with life. I am accepting of my changing body, amazed with how my children grow, and intrigued by the aging process. The blood and nudity seen within the context of my artwork is linked to authenticity and undiluted sensuality. I create images that become a document of our love, our fears and our conquests."
<a href="http://imowblog.blogspot.com.es/2014/01/in-conversation-with-ana-alvarez.html" target="_blank">Interview with Her Blue Print</a>
<a href="http://flicmagazine.com/mag/en/2014/07/ana-alvarez-errecalde/" target="_blank">Interview with Flic Magazine</a>
Topic
motherhood
birth
postpartum body
aging
daughter
breastfeeding
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Ana Álvarez-Errecalde
aging
Barcelona
birth
breastfeeding
daughter
motherhood
postpartum body
pregnancy
Spain
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https://artistparentindex.com/files/original/2be907ab5fd400f44f557811e36f570a.png
d141e17537285e4f0ef5f62883922748
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Artist Parent Index
Person
An individual.
Website
The Artist's website
<a href="http://www.sarahsudhoff.com/home" target="_blank" rel="noopener">http://www.sarahsudhoff.com/home</a>
Medium
peformance art
photography
video
Topic
breastfeeding
motherhood
postpartum body
Exhibitions
Exhibitions in the Index that an artist has participated in. The two entries will be linked.
<a href="http://www.artistparentindex.com/items/show/398" target="_blank" rel="noopener">Unveiled, CPAC, Denver, Colorado</a>
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Sarah Sudhoff
breastfeeding
motherhood
performance art
photography
postpartum body
video art