1
300
9
-
https://artistparentindex.com/files/original/a999df2ec7f9c6604cbdf06945241fb0.jpg
a3a6e702e1444d6241719a95ae8ef5e4
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Artist Parent Index
Person
An individual.
Website
The Artist's website
Instagram <a href="https://www.instagram.com/chloemarsden.nz/?hl=en" target="_blank" rel="noopener">@chloemarsden.nz</a>
Topic
Past work has explored female reproduction and her personal experience of infertility, miscarriages and IVF treatment. My current work is a response to my identity transformation of becoming a mother.
infertility
miscarriages
IVF
identity transformation
mother
Medium
I am a practice based visual artist. I work across mediums; drawing, painting, collage and photography- to find the perfect translation for each project.
drawing
painting
collage
photography
Artist Statement
My journey to become a mother started many years before I gave birth to my son. Years of fertility problems gave me a lot of time to reflect upon the implications both physically and emotionally, of becoming a mother. However, nothing would prepare me for the confusing mix of emotions I felt when my son finally arrived. I constantly felt split, in two minds about everything. The strong urge to protect accompanied by fear of the tremendous responsibility. I was confused by the power and powerlessness of my new role. I was no longer just my-self any more. I experienced deep love but also craved physical space. Memories of my own childhood, a severe lack of sleep and unrealistic expectations distorted my sense of reality. My current work focuses on my own identity transformation of becoming a mother and the often conflicting, all-consuming feelings experienced in motherhood. These contradictory emotions are described as maternal ambivalence. I believe a mother needs to know herself, to own up to the diverse, conflicting, overwhelming feelings brought up by motherhood. Whether she stays at home, goes out to work, is partnered or single. A mother who can face her own inner turmoil can in turn make sense of her child. If a mother can be herself with a child, and honestly express joy, anger, love, contentment - a full range of emotions - that will help the child to know themselves. By fully recognizing this early experience mothers -to- be could be made more aware they are entering a confusing and disorienting time. They could be better emotionally equipped to ride the experience of maternal ambivalence.
Location
The location of the interview
Wellington
New Zealand
Dublin Core
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Contributor
An entity responsible for making contributions to the resource
Chloё Marsden
Title
A name given to the resource
Chloё Marsden
collage
drawing
infertility
IVF
miscarriage
mother
painting
photography
-
https://artistparentindex.com/files/original/32184512a17aab12726f3d456fbaecdc.jpg
1ce7b1b972d92b40db51d2b13e12b219
Dublin Core
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Title
A name given to the resource
Exhibition Archive
Event
A non-persistent, time-based occurrence. Metadata for an event provides descriptive information that is the basis for discovery of the purpose, location, duration, and responsible agents associated with an event. Examples include an exhibition, webcast, conference, workshop, open day, performance, battle, trial, wedding, tea party, conflagration.
Exhibition Title
motHER/child
Exhibition Website
<a href="https://www.michaelinesander.com/" target="_blank" rel="noopener">www.michaelinesander.com</a>
Gallery
Sander Design and Art Consulting // SDAC
Location
The location of the interview
Richmond
Virginia
USA
Curator
Michaeline Sander
Curatorial Statement
SDAC is excited to share with you a group exhibition, celebrating the art of six local women and their works inspired by motherhood. motHER/child will be shown online from June 22, 2020- August 14, 2020, at www.michaelinesander.com. As we move this show online in what was previously planned as an in-person experience, we want to find ways in which the audience can connect to the imagery digitally. Feel the fabric of the soft sculptures by Sarah Dolan, see the details and layers in the collages by Shantell Lewis and be able to process the content of the works by all the artists in this show without being physically in front of the pieces in an alternative gallery setting where we normally would meet you.
motHER/child is a very important show that we have been putting together for over a year to bring to our audience. We want to share stories through the artwork about the journey to and through motherhood. Everyone has their own experiences and struggles some heartbreaking and some full of joy. All of these stories are important and should be heard. We are here creating a space for discussion and to share in the admiration of motherhood for all of those who are mothers, were mothers, or are still trying to become a mother.
Through experiencing these women’s artwork, we hope to open up the conversation about this experience in life - how it doesn’t all go according to plan, how it’s not all perfect social media approved photos. This is life, and this is the real documentation of that. Please share, please ask questions, please listen to your bodies - women are amazing and so strong- we created this show as a celebration of that.
Artists
<a href="https://artistparentindex.com/items/show/347" target="_blank" rel="noopener">Sarah Dolan</a>
Paris Brower
Olivia Phare
Shana Blakely
Amanda Ryan Tucker
Shantell Lewis
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
June 22- August 14
Topic
TTC
loss
postpartum
change
joy
infertility
motherhood
breastfeeding
pregnancy
birth
Dublin Core
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Title
A name given to the resource
motHER/child
-
https://artistparentindex.com/files/original/9737b91b0fa7b7d076b3878762ae8820.jpg
74723ac074b9a53b8cb915a0436fd265
Dublin Core
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Title
A name given to the resource
Artist Parent Index
Person
An individual.
Website
The Artist's website
<a href="Http://tulika.art" target="_blank" rel="noopener">Http://tulika.art</a>
Topic
infertility
immigrant child-rearing
pandemic
collaboration across borders between my mother, daughter and me
Medium
acrylic painting
mixed media
Artist Statement
Combining my 4year old daughter’s sketches, my painting and my mother’s crochet-- I am working on these mixed media works during shelter in place. During the pandemic- we are coping with our ennui, anxiety and frustration through making art- my daughter and me in the US and her grandmother in India. I need for this work to document these days and remind us that no matter where we are physically on the planet, our sentiments and frustrations are real. Our losses, anxiety and fears are real. Our love, albeit virtual, is real. I hope these works will foster a dialogue of commonality of experience across the globe. These works can be part of a larger narrative about motherhood, migration and belonging.
Location
The location of the interview
Chicago
Illinois
Dublin Core
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Contributor
An entity responsible for making contributions to the resource
Tulika Ladsariya
Title
A name given to the resource
Tulika Ladsariya
acrylic painting
infertility
mixed media
pandemic
-
https://artistparentindex.com/files/original/3bb4e94f4317c366cc5081cb64e444c0.jpg
57737511e35c98aaf827e3e76fc70586
Dublin Core
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Title
A name given to the resource
Artist Parent Organization Database
Service
An organization supporting artist parents.
Location
The location of the interview
Salem, Oregon
Grand Rapids, Michigan
Topic
reproduction
family
sex
gender
inclusive
zines
crowdsourcing
advocacy
paid family leave
care
caregiving
community
pregnancy
abortion
miscarriage
fetal loss
infertility
birth
gestation
identity
fashion
non-binary
LGBTQIA+
activism
performative action
library
collaboration
equity
policy
education
art
feminism
motherhood
fatherhood
parenthood
workshop
consent
About
<p><span style="font-weight: 400;">We (Cayla Skillin-Brauchle and Danielle C. Wyckoff) have come together to birth </span><i><span style="font-weight: 400;">Reproductive Media</span></i><span style="font-weight: 400;">, a project that focuses on all things family, gender, sex, and reproduction. Iterations of Reproductive Media have included a Mobile Zine Library and performative actions and workshops in which we facilitate discussions on these themes. The Reproductive Media Zine Library’s collection includes dozens of contributors who have produced zines related to these topics, ranging from personal experiences to statistics and facts. Our curatorial vision for this library is inclusive: we encourage individuals to share diverse information, experiences, and interpretations. This collection is an ongoing and ever-growing library.</span></p>
<p><span style="font-weight: 400;"> </span></p>
<p><span style="font-weight: 400;">Part of Reproductive Media’s larger mission is to provide educational and advocacy materials and support. Current resources we have produced as free booklets include ways to advocate for family-friendly* workplaces, suggestions for creating more inclusive educational settings, and other tools to advocate for legislative change such as ones that would support families for medical leave. (*We recognize an inclusive definition of family and remember that people receive love and support from partners, elders, children, siblings, lovers, pets, friends, and more.) </span></p>
<p><span style="font-weight: 400;"> </span></p>
<p><span style="font-weight: 400;">Reproductive Media stems from our shared investment in discussion and because our individual artistic practices utilize conversation and crowdsourcing as a tactic to research and create projects. Wyckoff’s project, “Please Tell Me a Story About Love,” has traveled around the world asking folks to do just that. The project’s open-ended structure situates the artist as listener, hearing and recording stories about all forms of love. Skillin-Brauchle’s “Data Collection” performances seek to create local data sets by interviewing community members in public places. While disparate in their approaches, these projects act as non-judgemental agents, recorders of contemporary experience. Our projects focus on the ‘local,’ whether that be a site or a community, and both projects collect responses that fuel our individual artwork in other material forms.</span></p>
<br />
<p><span style="font-weight: 400;">We believe that critical discussions require space. Reproductive Media creates such a space, one that is a public yet private forum, to talk about all things family, sex, gender, and reproduction: the choice to parent or not; the experiences of non-binary lives; governmental policy that is restrictive and policy that is protective; the challenges and rewards of parenting; experiences of becoming a parent through adoption, foster care, birth, or other paths; LBGQTIA+ rights; infertility and the emotional, physical and financial implications; miscarriage and fetal loss; birth control; abortion; models of prenatal care and giving birth (medical model and midwifery model); reproductive rights; reproductive privilege based on identity and socio-economics; sex; babies; gender; consent.</span></p>
Organization Website
reproductive.media@gmail.com
Organzation Director
Cayla Skillin-Brauchle
Danielle C. Wyckoff
Dublin Core
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Title
A name given to the resource
Reproductive Media
abortion
activism
advocacy
art
birth
Care
caregiving
collaboration
community
consent
crowdsourcing
education
equity
family
fashion
fatherhood
feminism
fetal loss
gender
gestation
identity
inclusive
infertitlity
LGBTQIA+
library
miscarriage
motherhood
non-binary
paid family leave
parenthood
performative action
policy
pregnancy
reproduction
sex
workshop
zines
-
https://artistparentindex.com/files/original/c75922dcdc7442c848439e15999415ee.jpg
643c94a9a808e4b2ad45709ebf4b7584
Dublin Core
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Title
A name given to the resource
Exhibition Archive
Event
A non-persistent, time-based occurrence. Metadata for an event provides descriptive information that is the basis for discovery of the purpose, location, duration, and responsible agents associated with an event. Examples include an exhibition, webcast, conference, workshop, open day, performance, battle, trial, wedding, tea party, conflagration.
Exhibition Website
<a href="https://www.whakatanemuseum.org.nz/exhibitions-and-events/mother" target="_blank" rel="noopener">https://www.whakatanemuseum.org.nz/exhibitions-and-events/mother</a>
Curator
Sarah Hudson
Gallery
Te Kōputu - Whakatāne Library and Exhibition Centre
Curatorial Statement
M/other is an exhibition on contemporary artists from around New Zealand creating work about motherhood, mothering and maternal roles. Artist contributions from: Erena Baker, Leala Faleseuga, Rhonda Halliday, Turumeke Harrington, Claire Harris, Tash Helasdottir-Cole, Zoe Thompson-Moore, Jasmine Togo-Brisby, Kararaina Toi, Justine Walker
Location
The location of the interview
Whakatāne
New Zealand
Artists
Erena Baker
Leala Faleseuga
Rhonda Halliday
Turumeke Harrington
Claire Harris
Tash Helasdottir-Cole
Zoe Thompson-Moore
Jasmine Togo-Brisby
Kararaina Toi
Justine Walker
Topic
motherhood
mothering
maternal roles
artist mother
artist/mother,
artistic labor
artists with children
autonomy
binary tensions
birthday parties
bleeding
breast milk
breast pump
care labor
body
birth
contemporary art
conceptual art
IVF, mental health, miscarriage, maternal, needlework, postpartum, personal, women artists, women representation,
domestic families
feminism
handwork traditions
indigenous motherhood
infertility
intergenerational
IVF
mental health
miscarriage
maternal
needlework
postpartum
personal
women artists
women representation
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
April 20 - August 17, 2019
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
M/other
Contributor
An entity responsible for making contributions to the resource
Sarah Hudson
artist mother
artist/mother
artistic labor
artists with children
autonomy
binary tensions
birth
birthday parties
bleeding
body
breast milk
breast pump
care labor
conceptual art
contemporary art
domestic
families
feminism
handwork traditions
Indigenous motherhood
infertility
intergenerational
IVF
maternal
maternal roles
mental health
miscarriage
motherhood
mothering
needlework
New Zealand
personal
postpartum
Whakatāne
women artists
women representation
-
https://artistparentindex.com/files/original/ad2607adc05b4fa0fc7c2a06549bc918.jpg
4fd9652339028699e31195912a37f5b5
Dublin Core
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Title
A name given to the resource
Artist Parent Index
Person
An individual.
Website
The Artist's website
<p><a href="https://monikastocktonmadd.wixsite.com/maddux">https://monikastocktonmadd.wixsite.com/maddux</a></p>
Medium
installation
sculpture
Location
The location of the interview
Wichita
Kansas
USA
Artist Statement
My research is into the multiple aspects of motherhood and I am investigating the obsession that develops in response to the psychological impact of loss, specifically the effects of miscarriage. To that I’ve added a study about the desire to become like my mother and the inability to do the same mother/daughter things I had anticipated. This desire developed into an obsession. I am curious about why I feel I need to produce a female offspring. I have asked myself if it stems from a maternal need that is unfulfilled by my sons, or if it was ingrained in me by my family dynamic, the environment in which I was raised. I was either naturally predisposed to nurture or I was trained, from the beginning, when I received my first doll that cared for, pretended was my own child and named her Hannah. My mother had 3 daughters and she made matching dresses for us and I couldn’t wait until I had a daughter to wear my handmade dresses. I am examining whether it is that I WANT to be like my mother or that I am EXPECTED to be like my mother.
The narratives of MONIKAHOUSE are; motherhood, loss caused by miscarriage, obsession and its manifestations, desperation, dealing with resolution and hard adoptions of reality. All the work stems from this ‘brain’. It represents all my experiences as a mother, a daughter, a sister, a wife. In this space, I can create or recreate any experience I wish. It is an environment akin to a forest. It is often that you are not allowed to remove or even directly interact with the environment, however, you are encouraged to simply observe. An experience that is no less dynamic than if you were allowed to interact. Think Hiking verses Camping.
For the last several years I have been creating rooms in a house, now I am using a house for installations of rooms. My thesis exhibition consists of sixteen rooms in an 1891 Queen Anne home that I have transformed into my life size dollhouse. I have used textiles, ready-made objects from my childhood, furniture and building materials, to create a continuous body of work.
Topic
miscarriage
fertility
infertility
keepsakes
obsession
pregnancy tests
installation art
performance art
dollhouse
life size dollhouse
monikahouse
womanhouse
motherhood
loss
daughter
Exhibitions
Exhibitions in the Index that an artist has participated in. The two entries will be linked.
MONIKAHOUSE in Riverside. MFA Thesis Exhibition. Wichita, KS. (2019)
Publications
A catalog or monograph published by the artist
Sometime Babies Die, Children’s Book. March 2019
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Monika Stockton Maddux
daughter
dollhouse
fertility
infertility
installation
installation art
keepsakes
life size dollhouse
loss
miscarriage
monikahouse
motherhood
obsession
performance art
pregnancy tests
sculpture
womanhouse
-
https://artistparentindex.com/files/original/600e8fc9c961d937100bc4bb86a3c27f.jpg
7fe60c2949d2fd83093d3bfabc884b8a
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Artist Parent Index
Person
An individual.
Website
The Artist's website
<a href="http://lupitatinnen.com/Mourning_Sickness.html" target="_blank" rel="noopener">http://lupitatinnen.com/Mourning_Sickness.html</a>
Medium
photography
Location
The location of the interview
Denton
Texas
Artist Statement
Mourning Sickness deals with my struggle with infertility beginning in September 2005. I never would have imagined that having a baby would be so much work. I was always under the false impression (thanks to my high school sex-ed class and Mexican parents) that if you have sex you will get pregnant unfailingly. For over 6 million American couples, trying to conceive is an excruciating nightmare, an emotional rollercoaster ride, which is beyond stressful. It’s demanding. It takes every ounce of energy, and when it doesn’t happen month after month, year after year, we question our womanhood. When we have to resign ourselves to alternative methods, artificial methods, it’s disheartening and overwhelming. I never thought I would be one of those women. Accepting the fact that I may remain childless has been the most difficult struggle, the biggest challenge I have ever faced. It felt much like grief, so this work is about the empty feeling and numbness that I felt as I was going through the grieving process.
Topic
infertility
loss
grief
miscarriage
powerlessness
sadness
maternal desire
Dublin Core
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Title
A name given to the resource
Lupita Murillo Tinnen
grief
infertility
loss
maternal desire
miscarriage
photography
powerlessness
sadness
-
https://artistparentindex.com/files/original/ca6fb8eb11353e66ea1d5699ca542a25.jpg
7dcc0c66220d42f21756c6dc7bf14814
Dublin Core
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Title
A name given to the resource
Artist Parent Index
Person
An individual.
Website
The Artist's website
<a href="https://www.verastankovic.com" target="_blank">https://www.verastankovic.com/</a>
Medium
sculpture
installation
photography
collage
urban intervention
performance art
object
sculpture
photography
writing
interdisciplinary
Location
The location of the interview
Ljubljana
Slovenia
Europe
Artist Statement
<p class="p1">I am fascinated by transformation processes.</p>
<p class="p1">I observe transforming spaces, economy, environment, cities, work, cells, bodies, knowledge, history, countries, roles, education, technology, relationships, selves, languages.</p>
<p class="p1">Becoming and being a mother is for me all about transformation. My first solo exhibition in the Zepter Gallery in Belgrade, Serbia was called Metamorphosis<span class="s1"> . </span>The objects I made used banal everyday objects (plastic bags) and transformed them into an immense vagina or into umbilical cords falling from the ceiling. This story from 1999 was a intimate story of separating oneself from the primary family and a story about the everyday and the environment.<span class="Apple-converted-space"> </span></p>
<p class="p1">From 2006 to 2012 my partner and I went through a series of unsuccessful IVFs and several miscarriages. I did several sculptural works that documented this part of our lives - like the Womb exhibited in 2010 in Museum de Ceramica de l’Alcora, Spain. It was just about the pain, I guess.</p>
<p class="p1">In 2012, I was invited to make an urban intervention inside the Vesel Garden in Ljubljana, Slovenia. I was three months pregnant with my son and did not know what to expect about the occurring pregnancy. So I did an urban intervention with a participative performance and called this work Embryo garden. It was all about the thin line between life and death of the child to be, but also of the artistic child within myself.</p>
<p class="p2"><span class="s2">My experience as a parent has been both challenging and inspiring for me as an artist. I explored the relationship between the roles of artist and parent in my 2016 exhibition in the Glass Atrium of the City Hall of Ljubljana, called A Thank You Note To the Cleaning Lady. The work that lent its name to the exhibition questions the relation between reproductive, maintenance work and having greater purpose in life. As a whole, </span>the exhibition was born as a product of broken antagonism between being a parent and an artist and of cooperation between the two roles. The installation To Include Everything, Everything, Everything, Absolutely, Absolutely, Everything especially focused on that. And the work The Map is about the child experiencing and learning by himself, and the artist-mother just observing and taking notes. In this process, I sometimes feel as if steeling from him.<span class="Apple-converted-space"> </span></p>
Topic
play
daily life
work/life balance
parenting
domestic
artist/mother
fertility
infertility
vagina
parent/child collaboration
World War II
exploring
anger
cleaning
maintenence
everyday
powerlessness
ritual
grandmother's motherhood
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Vera Stankovic
anger
archive
artist/mother
calendar
cleaning
collage
daily life
domestic
everyday
fertility
grandmother
infertility
installation
maintenance
Maps
motherhood
parent/child collaboration
parenting
plastic
play
Poljanska
powerlessness
Pozega-Slavonia
pregnancy
readymade
ritual
sculpture
Serbia
Slovenia
toys
vagina
womb
work/life balance
World War II
writing
-
https://artistparentindex.com/files/original/22d139469c1bd399d13e92d16bfec2f6.jpg
e6bfa9bd4b4db2182d5b1b640f67a8d7
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Exhibition Archive
Event
A non-persistent, time-based occurrence. Metadata for an event provides descriptive information that is the basis for discovery of the purpose, location, duration, and responsible agents associated with an event. Examples include an exhibition, webcast, conference, workshop, open day, performance, battle, trial, wedding, tea party, conflagration.
Event Type
Gallery
Exhibition Website
<a href="https://womanmade.org/" target="_blank" rel="noreferrer">https://womanmade.org/</a>
Gallery
Woman Made Gallery
Curator
<a href="http://artistparentindex.com/items/show/47" target="_blank" rel="noreferrer">Rachel Epp Buller</a>
Curatorial Statement
<span>“Mothers” includes moving works by 37 women addressing the culturally ubiquitous role of motherhood, historically under-represented in visual art. The artists utilize a wide range of media, from photography, video, 3D, and even frosted cakes. The artists’ individual and sometimes intensely personal approaches to the subject of motherhood vary as much as their media. The work speaks to personal experiences (as a mother or as related to a mother), social constructions of motherhood, the balance of home and work, the politicization of mothers, pregnancy, breastfeeding, childbirth, bodily transformation, miscarriage, loss, and fertility/infertility. Artists are using materials traditionally found in domestic settings including clothes pins, canning jars, and yarn. Others use iconic imagery such as the Madonna and child.</span>
Location
The location of the interview
Chicago
Illinois
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
November 5 to December 23, 2010
Topic
motherhood
domesticity
politicization of mothers
pregnancy
breastfeeding
childbirth
bodily transformation
miscarriage
loss
fertility
infertility
Artists
Jjenna Hupp Andrews
Kiki Augustin
Melissa Ayotte
Linda L. Bacon
Adrian Baker
Shaun Bangert
Kristy Battani
Jolene Beckman
Cat Del Buono
Corinna Button
<a href="http://artistparentindex.com/items/show/199" target="_blank" rel="noreferrer">Myrel Chernick</a>
Barbara Diener
Sheila A. Donovan
Joy Christiansen Erb
Niki Grangruth
Luba Grenader
Kate Hansen
Kelly Harrington
Katherine Michele Hatchell
Judith Hladik-Voss
Phyllis Hofman
Lea Basile Lazarus
Stephanie Lerma
Melanie Lowrance
Elaine Luther
Julie Mader-Meersman
Jennifer McNichols
Maggie Meiners
Freyda Miller
Helen Payne
Nancy Roberts
Jaleesa Rosario
Sarah Rust Sampedro
Amanda Simons
Colette Veasey-Cullors
Lisa Venditelli
Ellen Wetmore
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Mothers
bodily transformation
breastfeeding
childbirth
domesticity
fertility
infertility
loss
miscarriage
motherhood
politicization of mothers
pregnancy